Bøger af Caitlin Delems

Here is the little-known story of Florence Beatrice "Bea" Price, who faced many obstacles, including systemic racism and sexism, as she pushed forward to become one of the greatest Black classical composers. Florence Beatrice "Bea" Price loved music from a young age. When she wasn't practicing on the piano, she tapped her feet, drummed her fingers, and whistled. Growing up in Little Rock, Arkansas, she was surrounded by Negro spirituals, classical music, Juba dance rhythms, and folk songs and even had the chance to play piano with John William "Blind" Boone. But as a young Black girl living in the South, Bea wasn't offered the same chances as white children. Not allowed to perform in public, Bea's first recital was in her living room. But Bea was not deterred. She studied hard, rose to the top of her class, and was accepted to the New England Conservatory of Music--one of two Black students--and majored in both music and composition. Bea never forgot her roots and wove all kinds of musical genres into her musical compositions and spirituals.--

"With perfect pitch and fierce persistence, Amy Beach always knew she had to make music. There was just one BIG problem. Her mother believed it was not proper or suitable for a young lady to draw attention to herself, let alone take on a musical career. But give in or give up? Not Amy Beach. She demanded to play the piano. Demanded to have a real teacher. Demanded to perform. Luckily--for the world!--Amy's persistence paid off. At just sixteen years old, Amy Beach found herself on the stage of Boston's Music Hall--and the start of a brilliant career. A female composer who paved the way--perfectly!"--