Bøger af Camille Mauclair

THE FRENCH IMPRESSIONISTS By Camille MauclairA history of French Impressionist artists, focussing on artists such as Degas, Monet, Renoir, Manet, Sisley, Pissarro, Cézanne, Morisot, Gauguin, Seurat and the Neo-Impressionist artists. An important art critic, Camille Mauclair considers theoretical issues such as colour, light, style, subject matter and form, and the precursors of the French Impressionists. This book is an excellent introduction to the French Impressionist artists by one of the finest critics of the period. Fully illustrated, with works from many French Impressionist artists. With a full colour cover. Painters Series. Bibliography and notes. 160pp. www.crmoon.com

A lavishly illustrated introduction to the life and work of the French painter Antoine Watteau, who is best known for his delicate, romantic scenes of the 18th century aristocracy. The book includes biographical information as well as discussions of individual paintings and their significance. A must-read for fans of art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ce livre explore la vie et l'oeuvre du poète franco-uruguayen Jules Laforgue. Mauclair et Maeterlinck examinent en détail la poésie de Laforgue et son impact sur la littérature française du XXe siècle.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cette étude complète de la vie et des oeuvres de Louis Legrand, l'un des artistes les plus influents du XIXe siècle, est indispensable pour tous les amoureux de l'art. Camille Mauclair examine les techniques et les influences de l'artiste, ainsi que son impact sur le monde de l'art contemporain.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jules Laforgue: Essai Camille Mauclair �dition du Mercure de France, 1896

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

" Le présent ouvrage n¿est pas un exposé de discussions théoriques ou de préférences personnelles. Je n¿avais point ici à prendre parti. J¿ai cru opportun, en excluant une énumération excessive, d¿éviter l¿aspect fastidieux d¿un catalogue, tout en ne négligeant pourtant aucune des figures réellement représentatives d¿un genre et d¿une conception. J¿ai surtout jugé utile d¿encadrer l¿histoire abrégée des individualités dans l¿histoire des tendances d¿un siècle confus, inquiet, chercheur et grand. De là la division assez parti- culière de ce volume. On jugera si j¿ai bien ou mal fait en présentant, pour plus de clarté, les diverses manifestations dans un ordre parallèle et non dans une succession chronologique."

Extrait : " Il ne nous sera pas donné en cet ouvrage d¿écrire une histoire complète de l¿impressionnisme français, et d¿y enclore tous les détails attachants qüelle pourrait comporter, et par elle-même, et à cause du temps si curieux où son évolution s¿est déroulée: les proportions de ce livre nous engageront seulement à résumer le plus clairement et le plus simplement possible les idées, les personnalités et les ¿uvres d¿un considérable groupe d¿artistes qui n¿ont pu être bien connus à cause de plusieurs conditions, et sur lesquels de graves erreurs ont été trop souvent formulées. Ces conditions sont très évidentes; d¿abord, les impressionnistes n¿ont pu se montrer aux Salons, soit que les jurys leur en refusassent l¿entrée, soit qüils s¿abstinssent de leur propre volonté. Ils ont, sauf de très rares exceptions, exposé toujours à l¿écart, dans des galeries particulières où un public très restreint les connut: toujours attaqués et pauvres jus- qüen ces dernières années, ils n¿eurent aucun des bénéfices de la publicité et de la gloriole. Enfin, c¿est depuis très peu de temps que l¿admission au Musée du Luxembourg de la collection Caillebotte, incomplète, mal présentée d¿ailleurs, permet au public de se faire une idée sommaire de l¿impressionnisme; et pour achever l¿énumération des obstacles, il faut dire qüil n¿existe à peu près aucune photographie d¿¿uvres impressionnistes dans le commerce" Camille Mauclair n'est pas un historien de l'art, mais un polygraphe inépuisable qui a laissé plus de cent ouvrages et plusieurs milliers d'articles. Toutefois il a écrit des livres et des articles d'histoire de l'art qui, sans avoir un statut scientifique reconnu, illustrent néanmoins un mode de diffusion fondamental pour la discipline. Lui-même ne se serait jamais défini comme historien de l'art, quoiqu'il ait signé un « catalogue raisonné » de Greuze, mais comme « écrivain d'art », appellation qui eut cours chez les symbolistes ; de plus, comme critique, il estimait pouvoir rédiger ce qu'il appelait des « études d'art ancien », tout autant que des « études d'art moderne » : ces deux expressions recouvrent ainsi son ¿uvre d'historien qui, malgré sa facilité et parfois sa médiocrité, mérite de figurer ici, comme reflet d'une approche de l'histoire de l'art issue de la période symboliste et comme témoin d'un moment où se mettent en place de nombreuses collections de vulgarisation qui assurent à la discipline une nouvelle forme de socialisation, parallèle à son institutionnalisation universitaire.

Le poison des pierreries / Camille Mauclair; compositions de Georges Rochegrosse; gravées à l'eau-forte en couleurs par E. Decisy; lettre-préface de l'auteurDate de l'édition originale: 1903Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr