Bøger af Carol Belanger Grafton

Wondrous panorama of the animal kingdom, with detailed reproductions of over 600 rare engravings: mammals, birds, reptiles, amphibians, fish, crustaceans, insects, some plants--all identified. Royalty-free illustrations for designers and craftspeople. Excellent sourcebook for students of natural history.

This comprehensive treasury of copyright-free floral designs―chosen from rare periodicals and illustrated books―offers graphic artists and craftworkers a variety of floral favorites in ornamental styles that range from 18th-century classical to Victorian and Art Nouveau. Selections include reproductions from such 19th- and 20th-century periodicals as The Studio, L'Art pour tous, and Formenschatz, as well as a wide range of materials from American, English, French, German, and Spanish typography catalogs. Ideal for embellishing almost any artistic or craft project, the motifs include such favorites as roses, tulips, irises, lilies, and violets. Use these eye-catching motifs to decorate menus, invitations, stationery, book covers, and advertisements, or create needlework patterns as well as designs for textiles and woodworking. Artists, designers, illustrators, and craftspeople will find this rich selection of exquisite designs a valuable addition to their resource libraries―one they will turn to again and again for inspiration as well as ready-to-use floral creations. Original Dover (1987) publication.

The intricacy, elegance, and charm of Victorian decorative art continue to attract a broad spectrum of contemporary artists, designers, and craftspeople. Now they can draw on this treasury of excellent royalty-free Victorian designs to add nineteenth-century ambiance to almost any project.The author has selected over 160 designs from a variety of periodicals, books, and catalogs from England, France, Germany, and America, including the Album de l'ornemaniste, L'Art pour toous, Foremschatz, Decorative Vorbilder, The Studio, Art-Journal, and Decoration. The motifs reproduced were taken from or intended for fabric, carpets, mosaics, lace, tapestries, metalwork, manuscripts, ceramics, stained glass, architectural details, paintings, and much else.Drawing on native European design tradition as well as the exoticism of the East, the patterns in this volume are predominantly florals and foliates, although there is also abundant abstract figuration, especially from Islamic sources. Textile, package, and graphic designers--any artist or craftsperson in search of authentic Victorian decorative design--will find these designs inspirational and exceptionally useful.

Full-color and black-and-white works by virtually every key artist of the Art Nouveau movement, including Mucha, Seguy, Beardsley, and Verneuil. Includes material from rare books, portfolios, and major periodicals, plus bibliographies and artist biographies.

Comprising more than 500 years of printed botanical illustrations, this stunning compendium of black-and-white and color images includes medieval illuminated manuscripts, early woodcuts, hand-colored lithographs, Art Nouveau florals, and much more. Detailed bibliographies and artist biographies.

Because silhouettes have a unique capacity to capture attention and communicate quickly and clearly, they are especially useful in advertising and communications. The silhouettes in this splendid collection, selected from an archive of late-19th- and early-20th-century graphic arts, offer designers and artists nearly 1,000 designs ideal for illustrating a vast array of subjects.The human profile and figure, coiffed and dressed in many different ways; familiar animals, flowers and birds; coaches, planes, automobiles, ships, and much, much more are generously represented in this treasury of bold images. All are royalty-free, and all can be reproduced easily and put to work instantly to add a sparkling, old-fashioned touch to your next layout.

A treasury of hard-to-find Inca artwork, this compilation features hundreds of striking designs. Drawn from the collections of a 19th-century anthropologist, the designs, paintings, and relief representations depict ancient people, animals, and rituals.

The aesthetic achievements of the American Arts and Crafts movement, which dominated decorative arts in the late 19th and early 20th centuries, have become an increasingly popular subject of study and source of inspiration for contemporary artists and designers. This beautiful book presents over 400 copyright-free designs by 80 artists whose appealing and superbly finished works clearly reflect the ideals and sensibilities of the Arts and Crafts movement.The designs have been reproduced directly from rare issues of Keramic Studio, a periodical of the era that was a major forum and showcase for the Arts and Crafts movement in America. Although most of these designs were originally created for use in pottery, a medium of consuming interest to artists and craftspersons at the turn of the century, all of them are easily adaptable to arts and crafts projects of many kinds. Graphics designers and commercial artists will find these beautiful, copyright-free designs ideal to incorporate into a wide variety of projects. Potters, weavers, and those pursuing other arts and crafts will find in their sensuous elegance fresh inspiration for their own creative pursuits. Original Dover (1988) publication.

This collection of elegant clip art motifs features scenes from mythological, historical, and biblical sources as well as vines and leaves, floral elements, real and legendary beasts, and geometric patterns. 823 images.

This immensely usable archive of vintage illustrations not only offers a wonderful window on the goods and merchandise of a bygone era, but is an absolute treasure trove of easily reproducible graphic art as well.Some 2,300 cuts culled from such rare nineteenth-century periodicals as The Art Journal, The Illustrated London News, The Scientific American, and The Youth's Companion have been organized in convenient categories: clothes, furniture, kitchenware, toys and games, musical instruments, stationery supplies, domestic accessories, and much more.Among them are detailed and highly reproducible illustrations of fans, corsets, toiletry kits, jewelry, roller skates, a baby carriage, bicycles, baseball gloves, a pencil sharpener, crayons, fountain pen, typewriter, drafting tools, compass, microscope, feather duster, parasol, small table with smoking paraphernalia, high-topped storm slippers, and hundreds of other objects.

Over 750 detailed, high-quality illustrations from rare 19th-century sources: armor, helmets, swords, crossbows, battle scenes, jousts, etc. Great for medieval flavor.

Women's fashions during the second half of the nineteenth century offered a delightful display of styles reflecting English, French, and American tastes. This comprehensive treasury of more than 900 crisp black-and-white illustrations―arranged chronologically and dated by year―provides a rich pictorial record of clothing styles from that period. Suitable for a wide variety of graphic projects, these cuts will especially appeal to artists and illustrators in search of finely rendered images of authentic Victorian fashions. Selected by graphic artist Carol Belanger Grafton from such vintage sources as Harper's Bazar, La Mode Illustrée, Peterson's Magazine, Godey's Salon de la Mode and Frank Leslie's Ladies' Magazine, the cuts brim with clear detail and old-time flavor as they record a wealth of evolving styles―from ornate gowns of the mid-1800s, widened by hoop skirts and elaborately enhanced with ribbons, ruffles, laces, and bows, to turn-of-the-century fashions that produced leg-o'-mutton sleeves, narrowed skirts, diminished bustles, and high-necked bodices (except for evening wear, which exhibited a more daring neckline).Here, for copyright-free use, are hundreds of elegant dresses accented with intricately embroidered designs, shirtwaists featuring lace inserts, and row upon row of tiny pleats, tightly laced undergarments, wide-brimmed hats topped with feathers, flowers, and ribbon; beaded handbags, magnificent parasols, fur-trimmed capes, and much, much more.An invaluable reference to period clothing styles for designers, illustrators, and costume historians, this magnificent archive―with its entertaining glimpse of the fashions of yesteryear―will also delight casual browsers and lovers of Victoriana. Original Dover (1999) publication.

Women's fashions of the 1920s continue to fascinate artists, couturiers, and students of fashion, who will welcome this treasury of French designs from that dazzling era. Carefully selected from rare issues of the famed French periodical La Vie Parisienne, over 630 royalty-free illustrations comprise a pictorial display of sophisticated couture embodying the seductive chic of the liberated woman.Drawn with wit, flair, and charm, the line cuts depict slinky beauties in an immense variety of gowns, dresses, coats, suits, beachwear, lounging suits, capes, and other outfits. Carefully reproduced, these stylish representations lend themselves perfectly to graphic projects calling for sophistication and feminine charm. Moreover, this inexpensive compilation presents a valuable and authentic record of French fashion from 1918 to 1928.Dover (1987) original publication.

A profound sense of the aesthetic beauty in all things pervades the whole of Japanese culture, finding perhaps its clearest expression in the decorative, applied, and pictorial arts. Characterized by a mastery of line and composition, and noted for lyrical scenes of exquisite beauty, the genius of Japanese art has bequeathed to the world a remarkable and distinctive design legacy. This exceptionally versatile collection of traditional Japanese designs and motifs presents the working artist with a treasury of 360 copyright-free designs. All have been especially adapted by noted artist Carol Belanger Grafton for ready use by illustrators, designers, and craftspeople. Painstaking effort has been made to preserve the original spirit and subtlety of detail while simultaneously sharpening the lines and enhancing the reproducibility of the designs and motifs. There are several lovely ceramic and textile patterns. However, most of the design motifs in this compendium were taken from woodblock prints. This particular medium was invented in China and introduced to Japan before 1000 A.D., flourishing thereafter and reaching its zenith in the Ukiyo-e (floating world) school of the 17th, 18th, and 19th centuries. Accompanying these depictions of people in traditional garb, and accessories such as fans, keys, kites, and umbrellas, are many charmingly decorative family crests arranged in mostly circular configurations. Also included are full-page compositions of bold geometric design, vignettes of ethereal delicacy, as well as a generous sampling of nature's bounty: cherries, radishes, plum blossoms, lions, elephants, dogs, cranes, parrots, turtles, butterflies, even demons and dragons, and much more―often in several arrangements, many with reversed images.Artists, designers, illustrators, students, and teachers will find this indispensable collection of 360 traditional Japanese designs and motifs rendered in clean, crisp, black-and-white, copyright-free illustrations to be a remarkably fertile source of illustrative inspiration and design solutions. Original Dover (1983) publication.

Ornament is the essence of Art Nouveau. Throughout their two decades of dominance, Art Nouveau artists concentrated on the ornamental and decorative potential of the flowing line in painting, printing, wallpaper, and all other fine and applied arts. Hundreds of thousands of carefully wrought designs embellished books, bookplates, furniture, and appliances. A fashionable home was a garden of graphic florals, petals, leaves, and stems.Today, Art Nouveau is again attracting artists, designers, and craftsmen of all kinds, while these countless ornamental flourishes have perished with their ephemeral surroundings. Art Nouveau motif seekers have been left with little choice but to resort to expensive archives of rare books. Here, taken directly from those rare books and periodicals, are 577 royalty-free authentic period designs specially chosen for artists and designers. The ornaments range in size from full-page illustrations to borders, head and tailpieces and decorative initials. All are in black-and-white line, clearly reproduced.Many of the creations come from the influential English periodical The Studio (1894-1920) and the French Art el Décoration (1897-1910); others from a variety of original European sources, all identified. Artists represented include Gustav Klimt, George Auriol, Ethel Larcombe, and Will Bradley, along with hundreds of English. French, Italian, German, Scandinavian, and American studio draftsmen, all identified when possible. The designs are grouped by subject matter: florals, landscapes, figures, etc. There are spot illustrations, bookplates, menus, title pages, and many, many swirling line forms.