Bøger af Carol Watts

How do we find anchorage in a time of planetary crisis, 'our words/ for world migrating'? 'What is common in this. Explain.' "These are poems that open us to new relations with the world." (David Herd)

The new series of Writers and Their Work continues a tradition of innovative critical studies introducing writers and their contexts to a wide range of readers. Drawing upon the most recent thinking in English studies, each book considers biographical material, examines recent criticism, includes a detailed bibliography, and offers a concise but challenging reappraisal of a writer's major work. Dorothy Richardson is a major modernist novelist, only now beginning to attract the critical attention she deserves. In her time she was regarded as a pioneer, the originator of narrative 'stream of consciousness', her exploration of a woman's consciousness comparable to Proust. In this innovative study, Carol Watts reads her extraordinary thirteen-volume novel Pilgrimage in its context, as a difficult record, a 'screen memory', of the impact of modern urban life on a new woman gradually emerging from the domestic constraints of Victorian tradition. The book draws on Richardson's short fiction and for the first time assesses the significance of her contributions to the avant-garde film journal, Close Up. Richardson's attempt to forge an adequate language for the representation of women's experience in modernity leads her to the public space of silent cinema. This study offers an exciting challenge to common readings of literary modernism, and a powerful argument as to why Dorothy Richardson is not Virginia Woolf.

Written over 12 months, from 23 September 2006 to 14 September 2007, Carol Watts' sequence of poems explores the freight of a year with an ear to its future. Fragments and "cuts" of time and memory, light, sound, weather, the voices of children. John Clare wandering among rinds of a shoe-making village and city parakeets. Small series, detonating. The working through of an occasional tense, its cost, its serious music, its gift. This is Carol Watts' second poetry collection for Reality Street, the first having been "Wrack" (2007).

A vibrant study of the rich cultural and literary landscape of mid-eighteenth Britain and the forging of 'modern' subjectivity in a time of global war.