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In 1946 the art critic Robert Coates, writing in The New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. This title seeks to re-evaluate the movement, recognising its complex and fluid reality.
The definitive Alex Katz book, like his iconic paintings, is larger than life. With more than 300 images, many unpublished, and a searching profile by an art historian who has studied the painter for more than half a century, this monograph charts the development of Katz's singular American style.
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