Bøger af Caryl Phillips

The powerful and evocative story of a young West Indian man's search for home in 1960s London - by the multi-award-winning author dubbed 'one of the literary giants of our time' (New York Times)In the early Sixties, Victor 'Lucky' Johnson arrives in London from St Kitts, with dreams of becoming a journalist. Lucky soon finds work first at an Irish pub in Notting Hill - then as a rent collector for an unscrupulous slum landlord Peter Feldman. Shadowing Lucky from his early struggles in London to the present day, Caryl Phillips paints a striking portrait of a flawed but vividly alive man grappling with the lifelong disillusionments of exile - and the uniquely complicated identity of the Windrush generation. Another Man in the Street is an unforgettable story of loss, displacement, belonging, and the triumph of Black resilience - epic in scope and yet profoundly intimate; and a radical and timely portrait of immigrant London. ___________________________________________________Praise for Caryl Phillips'One of Britain's pre-eminent writers' Guardian'One of the literary giants of our time' New York Times'Phillips is a linguistic and cultural virtuoso' The Times

Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë's Jane Eyre. Caryl Phillips's A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips's gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized.A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own.

Dorothy is a retired schoolteacher who has recently moved to a housing estate in a small village. Solomon is a night-watchman, an immigrant from an unnamed country in Africa. Each is desperate for love. And yet each harbors secrets that may make attaining it impossible.With breathtaking assurance and compassion, Caryl Phillips retraces the paths that lead Dorothy and Solomon to their meeting point: her failed marriage and ruinous obsession with a younger man, the horrors he witnessed as a soldier in his disintegrating native land, and the cruelty he encounters as a stranger in his new one. Intimate and panoramic, measured and shattering, A Distant Shore charts the oceanic expanses that separate people from their homes, their hearts, and their selves.

In this richly descriptive and haunting narrative, Caryl Phillips chronicles a journey through modern-day Europe, his quest guided by a moral compass rather than a map. Seeking personal definition within the parameters of growing up black in Europe, he discovers that the natural loneliness and confusion inherent in long jorneys collides with the bigotry of the "European Tribe"-a global community of whites caught up in an unyielding, Eurocentric history.Phillips deftly illustrates the scenes and characters he encounters, from Casablanca and Costa del Sol to Venice, Amsterdam, Oslo, and Moscow. He ultimately discovers that "Europe is blinded by her past, and does not understand the high price of her churches, art galleries, and history as the prison from which Europeans speak."In the afterword to the Vintage edition, Phillips revisits the Europe he knew as a young man and offers fresh observations.

Shakespeare called Othello "an extravagant and wheeling stranger/Of here and every where." In this exciting anthology, Caryl Phillips has collected writings by thirty-nine extravagant strangers: British writers who were born outside of Britain and see it with clear and critical eyes. These eloquent and incisive voices prove that English literature, far from being pure or homogenous, has in fact been shaped and influenced by outsiders for over two hundred years. Here are slave writers, such as Ignatius Sancho, an eightieth century African who became a friend to Samuel Johnson and Laurence Sterne; writers born in the colonies such as Thackeray, Kipling, and Orwell; "subject writers," such as C.L.R. James and V.S. Naipaul; foreign émigrés, such as Joseph Conrad and Kazuo Ishiguro; and postcolonial observers of the British scene, such as Salman Rushdie, Ben Okri, and Anita Desai. With the eloquent and often inspiring collection, Phillips proves, if proof be needed, that the greatest literature is often born out of irreconcilable tensions between a writer and his or her society.

From the British-West Indian novelist who is rapidly emerging as the bard of the African diaspora comes a haunting work about "the final passage"-the exodus of black West Indians from their impoverished islands to the uncertain opportunities of England. In her village of St. Patrick's, Leila Preston has no prospects, a young son, and a husband, Michael, who seems to prefer the company of his mistress. So when her ailing mother travels to England for medical care, Leila decides to follow her. As Caryl Phillips follows the Prestons' outward voyage-and their bewildered attempt to find a home in a country whose rooming houses post signs announcing "No vacancies for coloureds"-he produces a tragicomic portrait of hope and dislocation. The Final Passage is a novel rich in language, acute in its grasp of character, and unforgettable in its vision of the colonial legacy. "Like Isabel Allende and Gabriel García Márquez, Phillips writes of times so heady and chaotic and of characters so compelling that time moves as if guided by the moon and dreams."-Los Angeles Times Book Review

From the acclaimed author of Cambridge comes an ambitious, formally inventive, and intensely moving evocation of the scattered offspring of Africa. It begins in a year of failing crops and desperate foolishness, which forces a father to sell his three children into slavery. Employing a brilliant range of voices and narrative techniques, Caryl Phillips folows these exiles across the river that separates continents and centuries.Phillips's characters include a freed slave who journeys to Liberia as a missionary in the 1830s; a pioneer woman seeking refuge from the white man's justice on the Colorado frontier; and an African-American G.I. who falls in love with a white Englishwoman during World War II. Together these voices make up a "many-tongued chorus" of common memory—and one of the most stunning works of fiction ever to address the lives of black people severed from their homeland.

Discover this heartrending story of orphans, outcasts and the grip of the past from award-winning novelist Caryl Phillips - inspired by Wuthering Heights. It is the 1960s.

Three plays by playwright and novelist Caryl Phillips, written in the 1980s and collected here for the first time: Strange Fruit, Where There is Darkness, and The Shelter.

Strange Fruit by Caryl Phillips (winner of the Commonwealth Writers' Prize) is the powerful and compelling story of a Black British family caught between two cultures, and the uncrossable no man's land that can come between parents and their children.

Social worker Keith, separated from his wife and their teenage son, is floundering in a world of fraught sexual politics, parental responsibilities and class expectations.

Presents the stories of Francis Barber, 'given' to the great eighteenth-century writer Samuel Johnson; Randolph Turpin, Britain's first black world champion boxer; and, David Oluwale, a Nigerian stowaway who arrived in Leeds in 1949, the events of whose life called into question the reality of English justice.

Cambridge is a powerful and haunting novel set in that uneasy time between the abolition of the slave trade and the emancipation of the slaves.

A young Jewish woman growing up in Germany in the middle of the twentieth century and an African general hired by the Doge to command his armies in sixteenth century Venice are bound by personal crisis and momentous social conflict. What emerges is Europe's age-old obsession with race, with sameness and difference, with blood.

Shortlisted for the Booker Prize Winner of the James Tait Black Memorial Prize for FictionCaryl Phillips' ambitious and powerful novel spans two hundred and fifty years of the African diaspora.

Phillips explores three cities of slavery. Liverpool, constructed on the slave trade, now denying its past; the Ghanaian city of Elmina, site of the important slave embarkation fort in Africa; and Charleston, known as the entry point to America where one-third of black slaves were bought and sold.

'The funniest man I ever saw, and the saddest man I ever knew.' This is how W.C. Fields described Bert Williams, the highest-paid entertainer in America in his heyday and someone who counted the King of England and Buster Keaton among his fans. Born in the Bahamas, he moved to California with his family.

Caryl Phillips's first novel tells the story of Leila, a nineteen-year-old woman living on a small Caribbean island in the 1950s. Unsatisfied with life on the island, Leila decides to leave her friends and follow her mother overseas, taking her restless husband Michael and her young son with her.

The English village is a place where people come to lick their wounds. It's not immediately clear why her neighbour, Solomon, is living in the village, but his African origin suggests a complex history that is at odds with his dull routine of washing the car and making short trips to the supermarket.