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Drama. Poetry. California Interest. Through a mix of sound-poems, dance, and traditional scenes, Catherine Theis attempts to jostle Medea from her traditional, male-defined narrative in this modern retelling set in the mountains of Montana. A 2015 Leslie Scalapino Award for Innovative Women Performance Writers finalist, MEDEA features a Chorus of Flames, choreography for The Milky Way, and a collection of palate-cleansing satyr plays to be performed after. Grappling with both love and language, Theis' MEDEA "wants to join with the world, to meld with it. Let's let her do that--see what falls away."
Hilda Doolittle operates primarily as a mythopoetic writer, rewriting the eternal dramas of myth into self-knowledge. She showcases female characters acting as Promethean boundary makers, speaking a newlanguage into being. H.D.'s Dramatic Poetics illuminates how the creation of theatrical work functions as animportant imaginative gateway, or portal, in the discovery of new poetic forms. It seeks, moreover, toenlarge feminist critical discussions of how a feminist visionary like H.D. contributes to what femalenarratives sound like both in lyric and theatrical traditions.
The Fraud of Good Sleep is a book of "serious humanist" poems. Theis's poems combine a stunning, classical rigor with a passionate madness that is utterly contemporary and surprising. From prose poems and extended lyric sequences to translations and fragments, this book attempts to enfold the living past into the insane present.
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