Bøger af Charles Burns

As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it.

Since 2000, master cartoonist Burns has been self-publishing a secret, handmade sketchbook zine titled Free S**t, exclusively for friends and VIPs. For the first time, Burns has compiled all 25 issues into a single pocket-sized volume for all of his fans to enjoy.

The beloved and award-winning author of Black Hole returns with an arresting story of an artist's obsessionsAs a child, Brian and his friend Jimmy would make home movies in their yards, coaxing their friends into starring as victims of grisly murders and smearing lipstick on them to simulate blood. Now an aspiring filmmaker, he and Jimmy, along with Jimmy's friend Laurie âEUR" the new girl in town and Brian's reluctant muse âEUR" set off to a remote cabin in the woods. Armed with a thrifted 16-millimetre camera, they film a true sci-fi horror movie set in a post-apocalyptic world where humans are born of disembodied alien wombs, a homage to Brian's favourite movie The Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams âEUR" somehow both his damsel in distress and his saviour. The beloved and award-winning Charles Burns returns with an arresting story of an artist's obsessions and the cost of pushing the boundaries of creativity in his first standalone work since Black Hole. Final Cut blurs the line between dreams and reality, imagination and perception in this astonishing look at what it truly means to express oneself through art.

Master cartoonist Charles Burns has never hidden his passion for comic books and pop culture from the 1950 and 1960s. Inspired by the romance, horror, and sci-fi comics of his youth, as well as the 1960s American underground, the author of Black Hole has created a collection of 80 original comic book covers that, through his own inimitable aesthetic, present an alternate universe of stories that never were, but that you will wish existed. The covers -- some with otherworldly titles in alien letterforms, and others that riff on classic genres (Throbbing Hearts, Unwholesome Love) and eras (Drug Buddy, Huss) -- each inspire a multitude of interpretations, build entire worlds, and suggest entire narratives that lie within their non-existent guts. This is Burns at his most playful, imaginative, and suggestive, using the format of the comic book to continue to explore many of the themes that run through all his longer-form work -- adolescence, metamorphosis, nightmares, and sexuality -- and provide a pretext for the creation of some of the most mysterious and bewitching imagery of Burns's incredible career. Kommix is like discovering an entire box of comic books you never knew existed.

Winner of the Eisner, Harvey, and Ignatz AwardsThe setting: suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you've got it, that's it. There's no turning back.As we inhabit the heads of several key characters — some kids who have it, some who don't, some who are about to get it — what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.And then the murders start.As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin...

Meet Doug, aspiring young artist. He's having a strange night. A weird buzzing noise on the other side of the wall has woken him up, and there across the room, next to a huge hole torn out of the bricks, sits his beloved cat Inky. Who died years ago. But that's no longer the case, as he slinks through the hole, beckoning Doug to follow.

"As a child, Brian and his friend Jimmy would make sci-fi films in their yards, convincing their friends to star as victims of grisly murders, smearing lipstick on the 'bodies' to simulate blood. Now a talented artist and aspiring filmmaker, Brian, along with Jimmy, Jimmy's friend Tina, and Laurie--his reluctant muse--sets off to a remote cabin in the woods with an old 16 millimeter camera to make a true sci-fi horror movie, an homage to Brian's favorite movie: Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams, his damsel in distress, and his savior wrapped into one"--

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The night was alive with stars that glistened like a thousand suns. Itwas like a dark canvas freckled with a million droplets of white paint.An endless ocean, an icy wasteland, a river of stars.In Italy, the Russo mansion was fast asleep. Well, almost asleep.

Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you've got it, that's it. There's no turning back.As we inhabit the heads of several key characters — some kids who have it, some who don't, some who are about to get it — what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.And then the murders start.As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin...

The adventures of Ham and Eggs continue! In this installment, the two mouse brothers learn the value of a good friend in a time of trouble. From the author of "Ham and Eggs in the Garden," "Ham and Eggs in the Soup" and "Ham and Eggs with Baldo."

The mouse brothers, Ham and Eggs, are back in a new adventure! This time, they make an unusual new friend and learn that it's okay for friends to be a little different.Be sure to catch the brothers in their other quests: Ham and Eggs in the Garden and Ham and Eggs in the Soup!

A true graphic milestone: the epic trilogy that began with X'ed Out, continued in The Hive, and concluded in Sugar Skull-now in one volume.The long strange trip of Doug in all its mind-bending, heartbreaking totality. The fragments of the past collide with the reality of the present, nightmarish dreams evolve into an even more dreadful reality, and when you finally find out where all of this has been going, and what it means . . . it will make you go right back to the first page and read it all again with new eyes. Just like Doug.(With full-color illustrations throughout)

Two small mouse brothers find themselves in the soup when they investigate good smells coming from a forbidden kitchen.

See what happens when two young mouse brothers in search of strawberries venture into a forbidden garden and encounter unexpected difficulties with the vegetables they find there.