Bøger af Charles Donagh Maginnis

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Pen Drawing: An Illustrated Treatise, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Style, materials, techniques, and values are the focus of this richly illustrated guide to pen drawing. In addition to proposing solutions for practical problems, the book offers advice on architectural and decorative drawing. More than 70 drawings by assorted artists range from tranquil churchyards and bustling city streets to striking posters. Many of the images are derived from The Century Magazine, Harper's Magazine, The Architectural Review, and other illustrated periodicals of the early twentieth century. Irish-American architect Charles D. Maginnis, a co-founder of the firm Maginnis & Walsh, was active in the design of ecclesiastical and campus buildings across the United States. He also served as President of the American Institute of Architects. Maginnis' practical guide to pen drawing features several of his own illustrations, created expressly for this instructive volume.

Art is not satisfied with mere unrelated beauty of form or color. It requires that the result confess some sensible relation to the means by which it has been obtained; and in proportion as it does this, it may claim to possess that individual and distinctive charm which we call "Style." Pen drawing is most apt to lose its individuality when it begins to assume the characteristics of wash-drawing, such as an elaborate massing of grays, small light areas, and a general indirectness of method....for if there is one characteristic more than another which should distinguish pen methods it is Directness. The nature of the pen seems to mark as its peculiar function that of picking out the really vital features of a subject. Pen drawing has been aptly termed the "shorthand of Art;" the genius of the pen-point is essentially epitome. (From Chapter 1) Get Your Copy Today!