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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Old Testament Stories in the Haida Language is a book written by Charles Harrison in 1893. The book contains a collection of stories from the Old Testament, translated into the Haida language. The Haida language is an indigenous language spoken by the Haida people of Canada and the United States. The book provides an interesting insight into the Haida culture and their interpretation of the Old Testament. It is a valuable resource for linguists, anthropologists, historians, and anyone interested in the Haida culture and language. The book is written in a simple and easy-to-understand language, making it accessible to a wide range of readers. Overall, Old Testament Stories in the Haida Language is an important piece of literature that preserves the Haida culture and language, and provides a unique perspective on the Old Testament.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Covering the history of art, from Paleolithic cave painting onwards, this book provides foundational guidance to the basic character and techniques of the different art forms, to the various genres of painting in the western tradition, and to the techniques of sculpture as they have been practised over several millenia and across cultures.
This is the companion adventure maze activity Book 2 to ---Santos the Tiny Dog: From the Texas Hill Country & San Antonio Environs- A Bilingual (English-Spanish) Adventure Story Coloring Book (Book 2)Join Santos the tiny dog and have fun helping Little Santos and his Calavera family go through each mystical adventure maze from the outskirts of San Antonio, to the Texas Hill Country, from fishing at Calaveras Lake, to floating down the Guadalupe River in New Braunfels, Texas. Go through the Enchanted Rock maze and help Santos get through many caves in the Texas Hill Country and beyond. Enjoy and good luck!
An adventure coloring chapter book about Santos a tiny dog who takes a journey to the Texas Hill Country and San Antonio environs with his calavera family. Santos has mishaps and meets new animal friends along the way. A fun bilingual (English-Spanish) fiction coloring book for children of ALL ages! Santos is based on a real teacup poodle that was part of the authors family for many years. Santos Book 1 has a companion Santo "Maze" Book 2. Please follow the author/artists and check out additional coloring books. All are educational and help promote local heritage.
Tells the story of the New Jersey's rich agricultural history from the time when Leni-Lenape Native Americans scratched the earth with primitive tools up through today. This work recalls New Jersey's rural past, traces the evolution of farming over the course of the twentieth century, and explains innovative approaches to protecting the industry.
When Charles Harrison died in 2009, the British art world lost a pivotal figure. Fromcurating the groundbreaking 1969 exhibit, ''When Attitudes Become Form'' at London's Institute ofContemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; toteaching art history to thousands in much-admired ''plain English'': Harrison's influence on theBritish art scene cannot be overestimated.This collection of autobiographical interviews - a fitting tribute to Harrison - opens a windowinto the thinking of the tireless critic and riveting professor who railed against second-rate art withhis trademark motto, ''Better fewer, but better.'' Looking Back offers an unprecedented opportunity to experience one of the art world giantsof our time.Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard,Elena Crippa, Christopher Huer and Matthew Jesse Jackson.
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