Bøger af Charlotte Cotton

Jump into the megawatt world of Mert and Marcus, the creative tour de force who have styled and shot some of the most powerful brands and personalities of our time, from Miu Miu to Angelina Jolie, Givenchy to Gisele Bundchen. Sourced from our best-selling Collector's Edition, some 300 pictures illuminate the hyper-glamorous, hyper-glossy...

Provides an introduction to contemporary art photography, identifying its important features and themes and celebrating its exciting pluralism through an overview of its most important and innovative practitioners.

An evocative photographic homage shot by renowned image-makers that celebrates the iconic archival fashion designs of Francisco Costa for Calvin Klein.From 2003 to 2016, Francisco Costa was the creative director and women’s collections designer for the American fashion house Calvin Klein. It was a time of creative abundance, one that simultaneously supported both fashion design experimentation and its traditional crafts. In 2020, Costa revisited his fashion collections archive and invited twenty-one photographers to receive a box containing hand-selected prototype and runway clothing from Costa’s Calvin Klein women’s collections that could be used either as inspiration or directly as props and costumes within photographs. 555 is a collaborative project that celebrates the iconic collection’s reanimation and visual transformation by an extraordinary congregation of participating artists and image-makers. Moody, contemplative, and provocative images featured range from observational and documentary photography to self-portraiture, evocative nude editorials, fashion photography, and visual records of artistic performances.Housed in a beautifully crafted, limited edition clamshell box, twenty-one unbound booklets, printed on various tactile paper stocks, feature photographic stories by Diego Villarreal, Marcelo Gomes, Nick Waplington, Jamie Hawkesworth, Hugh Lippe, Alessandra Sanguinetti, Joel Meyerowitz, Lea Colombo, and Collier Schorr.

Contains images by Michele Abeles, Takaaki Akaishi, Lotta Antonsson, Walead Beshty, Lucas Blalock, Andrey Bogush, Brian Bress, Bianca Brunner, Stefan Burger, Antoine Catala, Phil Chang, Talia Chetrit, Joshua Citarella, Sara Cwynar, Bryan Dooley, Jessica Eaton, Shannon Ebner, Marten Elder, Jason Evans, Sam Falls, Brendan Fowler, Victoria Fu, Daniel Gordon, Darren Harvey-Regan, Leslie Hewitt, Nancy de Holl, John Houck, Go Itami, Rachel de Joode, Farrah Karapetian, Matt Keegan, Annette Kelm, Soo Kim, Yuki Kimura, Josh Kline, Lucas Knipscher,Owen Kydd, Josh Kolbo, Taisuke Koyama,Nico Krebs and Taiyo Onorato, Elad Lassry, Brandon Lattu, John Lehr, Anthony Lepore, Alexandra Leykauf, Matt Lipps, Florian Maier-Aichen, Phillip Maisel, Annie MacDonell, Emmeline de Mooij, Carter Mull, Nerhol (Ryuta Iida and Yoshihisa Tanaka), Katja Novitskova, Arthur Ou, Matthew Porter, Timur Si-Qin, Eileen Quinlan, Jon Rafman, Sean Raspet, Clunie Reid, Abigail Reynolds, Will Rogan, Asha Schechter, Hugh Scott-Douglas, Shirana Shahbazi, Daniel Shea, Erin Shirreff, Elisa Sighicelli, Brea Souders, Kate Steciw, Batia Suter, Yosuke Takeda, Miguel Angel Tornero,Sara VanDerBeek, Artie Vierkant, Anne deVries, Hannah Whitaker, Charlie White, Lindsey White, Chris Wiley, Letha Wilson, and Amir Zak

Me and Fashion is a constellation of fashion photographs made by Niedermair over the past 20 years. These images show how, informed by her parallel creative path as an independent art photographer, she continues to query and utilize her female perspective to expand the conventions and biases of the fashion image system.

Bruce Davidson is a pioneer of social documentary photography. In his work, Davidson prizes his relationship to the subject above all else. In addition to his civil rights series and his work in Harlem, this book includes Davidson's well-known series Brooklyn Gang, Subway, and Central Park.

Draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. This publication surveys over eighty artists, all of whom are engaged with experimental ideas concerning photographic practice, as the contemporary landscape is currently being reshaped through digital techniques.

Malerie Marder is one of the first practitioners of a style of high-colour photography that came out of Yale in the late 1990s. This book tells the story of Marders first commissioned shoot: how a friend invited Malerie to photograph her with her lover, naked and in the anonymous setting of a motel room.