Bøger af Charlotte Smith

This book presents an ideal introduction to the full range of the works of Charlotte Smith, whose Romantic sensibility is an expression of a specifically female experience, from her influential sonnets and poems for children to extracts from her French Revolution poem.

Allie chooses to quit up and live an unsatisfactory existence after her encounters leave her feeling disappointed. She is unsure, though, when presented with a chance to satisfy her darkest, most primal urges in the strangest of locations. Will Allie be able to find the fulfilment she so desperately wants and more? Will she give up and carry on with her life of dull pleasures, or will she just give up?

In an exploration of the societal limitations for women regarding marriage and property in the eighteenth century, this gothic masterpiece is an early work of feminist fiction. Emmeline is orphaned and raised in a grand castle in the English countryside by her uncle, Lord Montreville. The legitimacy of Emmeline's birth cannot be proven and so she has no property to inherit and no social standing with which to find herself a husband and security. As she navigates the treacherous landscape of eighteenth-century England, she must unravel the secrets of her birth in a time of societal upheaval.This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. First published in 1788, this classic work of gothic fiction was Charlotte Smith's first novel. Against the backdrop of grand castles and lush landscapes, the volume delves into the complexities of class, gender, and the plight of the marginalised.

In a vivid tale of gothic horror and wartime terror, Charlotte Smith's evocative prose brings to life the haunting beauty of forbidden love against the backdrop of the French revolution.This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. The Old Manor House presents the atmospheric world of the eighteenth-century countryside, where the past and present collide within the walls of an ancestral manor. A heartbreaking love story that pushes the boundaries of societal classes, this novel echoes the tragedy of the North American revolution while the French revolution blazes. With its intricate plot, complex characters, and emotive storytelling, this volume stands as a testament to Smith's enduring legacy as a masterful writer.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Charlotte Turner Smith (4 May 1749 - 28 October 1806) was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. A successful writer, she published ten novels, three books of poetry, four children's books, and other assorted works, over the course of her career. She saw herself as a poet first and foremost, poetry at that period being considered the most exalted form of literature. Scholars now credit her with transforming the sonnet into an expression of woeful sentiment. During adulthood, Charlotte Smith eventually left husband Benjamin Smith and began writing to support their children. Smith's struggle to provide for her children and her frustrated attempts to gain legal protection as a woman provided themes for her poetry and novels; she included portraits of herself and her family in her novels as well as details about her life in her prefaces. Her early novels are exercises in aesthetic development, particularly of the Gothic and sentimentality. "The theme of her many sentimental and didactic novels was that of a badly married wife helped by a thoughtful sensible lover" (Smith's entry in British Authors Before 1800: A Biographical Dictionary Ed. Stanley Kunitz and Howard Haycraft. New York: H.W. Wilson, 1952. pg. 478.) Her later novels, including The Old Manor House, often considered her best, supported the ideals of the French Revolution. After 1798, however, Smith's popularity waned and by 1803 she was destitute and ill-she could barely hold a pen, and sold her books to pay off her debts. In 1806, Smith died. Largely forgotten by the middle of the 19th century, her works have now been republished and she is recognized as an important Romantic writer. Early life: Smith was born on 4 May 1749 in London and baptized on 12 June; she was the oldest child of well-to-do Nicholas Turner and Anna Towers. Her two younger siblings, Nicholas and Catherine Ann, were born within the next five years. Smith was born into a wealthy family and received a typical education for a woman during the late 18th century. Smith's childhood was shaped by her mother's early death (probably in giving birth to Catherine) and her father's reckless spending.Her father's reckless spending then forced her to marry early. In a marriage that she later described as prostitution, she was given by her father to the violent and profligate Benjamin Smith. After losing his wife, Nicholas Turner travelled and the children were raised by Lucy Towers, their maternal aunt (when exactly their father returned is unknown).At the age of six, Charlotte went to school in Chichester and took drawing lessons from the painter George Smith. Two years later, she, her aunt, and her sister moved to London and she attended a girls school in Kensington where she learned dancing, drawing, music, and acting. She loved to read and wrote poems, which her father encouraged. She even submitted a few to the Lady's Magazine for publication, but they were not accepted.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Charlotte Turner Smith (4 May 1749 - 28 October 1806) was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. A successful writer, she published ten novels, three books of poetry, four children's books, and other assorted works, over the course of her career. She saw herself as a poet first and foremost, poetry at that period being considered the most exalted form of literature. Smith's poetry and prose were praised by contemporaries such as poets William Wordsworth and Samuel Taylor Coleridge, and novelist Walter Scott. Scholars now credit her with transforming the sonnet into an expression of woeful sentiment.[1] Coleridge, in 1796, remarked that "those sonnets appear to me the most exquisite, in which moral Sentiments, Affections, or Feelings, are deduced from, and associated with the scenery of Nature".[2] After 1798, however, Smith's popularity waned and by 1803 she was destitute and ill-she could barely hold a pen, and sold her books to pay off her debts. In 1806, Smith died. Largely forgotten by the middle of the 19th century, her works have now been republished and she is recognized as an important Romantic writer. Smith was born into a wealthy family and received a typical education for a woman during the late 18th century. Her father's reckless spending then forced her to marry early. In a marriage that she later described as prostitution, she was given by her father to the violent and profligate Benjamin Smith. The match was deeply unhappy, but they had twelve children together. Charlotte joined Benjamin in debtor's prison, where she wrote her first book of poetry, Elegiac Sonnets. Its success allowed her to help pay for Benjamin's release. Benjamin's father attempted to leave money to Charlotte and her children upon his death, but legal technicalities barred her from acquiring it. Charlotte Smith eventually left Benjamin and began writing to support their children. Smith's struggle to provide for her children and her frustrated attempts to gain legal protection as a woman provided themes for her poetry and novels; she included portraits of herself and her family in her novels as well as details about her life in her prefaces. Her early novels are exercises in aesthetic development, particularly of the Gothic and sentimentality. "The theme of her many sentimental and didactic novels was that of a badly married wife helped by a thoughtful sensible lover" (Smith's entry in British Authors Before 1800: A Biographical Dictionary Ed. Stanley Kunitz and Howard Haycraft. New York: H.W. Wilson, 1952. pg. 478.) Her later novels, including The Old Manor House, often considered her best, supported the ideals of the French Revolution.Smith was born on 4 May 1749 in London and baptized on 12 June; she was the oldest child of well-to-do Nicholas Turner and Anna Towers. Her two younger siblings, Nicholas and Catherine Ann, were born within the next five years. Smith's childhood was shaped by her mother

Emmeline V3: The Orphan of the Castle is a novel written by Charlotte Smith and first published in 1789. The book is the third volume in a three-part series that tells the story of Emmeline, a young woman who is orphaned and left to navigate the challenges of life on her own.In this volume, Emmeline finds herself living in a castle with a group of strangers who have taken her in. She is haunted by the memory of her lost love, Valancourt, and struggles to come to terms with her new life. As she navigates the complexities of her situation, she must also confront the dark secrets of those around her, including the mysterious owner of the castle.Throughout the book, Smith explores themes of love, loss, and the struggle for independence in a society that is often hostile to women. She also delves into the complexities of human relationships and the ways in which people can be both cruel and kind.Overall, Emmeline V3: The Orphan of the Castle is a thought-provoking and emotionally resonant novel that offers a compelling glimpse into the lives of women in 18th-century England.In Four Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Emmeline Mowbray's history is shrouded in mystery. The common story is that she is the illegitimate daughter of a Lord, but there are very few corroborating documents. It is also said that both her parents are dead.She lives precariously alone, under the distant protection of an uncle whom she has never seen, at the old family seat, Mowbray Castle, in a remote part of Pembrokeshire. Parts of the castle have fallen into ruin, and her only companions are the small set of retainers who keep the estate ticking over, especially Mrs. Carey, the housekeeper, who loves her tenderly.Mrs. Carey's death, like a rock cast into a pool, precipitates a series of resounding changes, rippling through Emmeline's circumstances. She is finally introduced to her wealthy uncle, Lord Montreville, who is sometimes sympathetic and sometimes cold, most unaccountably. More importantly she meets his son, Lord Delamere, a wild rake, who quickly becomes infatuated with her undoubted youthful beauty. Delamere's ravenous attentions send the inexperienced Emmeline on a whirlwind of relocation, as she desperately avoids his all-out advances, again and again. She escapes to relations of Mrs. Carey initially, and there finds a staunch friend in another young woman, Mrs. Stafford, who is also struggling in great jeopardy, in her case with a disastrous marriage.Emmeline suffers, as she ventures, extraordinary advances and reverses of fate, and watches fascinatedly that of the people with whom she has begun to associate in her emergence into the wider milieu of London and the Continent. Some of them are wickedly humorous, some inveterately evil, and some emerge as her dearest allies in a dangerous world. She also meets Godolphin, a brilliant officer, whose love for her is as absolute as it is unspoken. Can Emmeline find a way through this puzzling and hazardous maze to the truth, about love, and about herself?Emmeline was Charlotte Smith's arresting first novel, first published in 1788. It was immediately popular, influencing, among others, Ann Radcliffe and Jane Austen.

I think this book will be fun and interesting for you. Portmanteaus like smog and Bennifer are a very current craze. Palindromes are words, phrases, sentences, numbers, and dates that read the same forwards and backwards. One chapter is devoted to how many of our last names came about.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A sports devotional written by Charlotte Smith, a former All-American and two-time All-ACC player who made the game-winning shot in the 1994 NCAA Championship that gave North Carolina its first and only title. Smith, who won an ESPN ESPY for Best Female College Basketball Player in 1995, also starred in the ABL and WNBA for 10 years and was an assistant coach at North Carolina for 9 seasons before taking the head women's basketball coaching position in 2011 at Elon University, an NCAA Division I school in North Carolina. Smith, who knows the struggles of players, coaches and people in general, shares stories on and off the court in a devotional format that will help coaches grow in their walk with Christ and also give coaches material to share with their team to help them grow, as well.