Bøger af Christopher Whitehead

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The imperatives surrounding museum representations of place have shifted from the late eighteenth century to today. The political significance of place itself has changed and continues to change at all scales, from local, civic, regional to national and supranational. At the same time, changes in population flows, migration patterns and demographic movement now underscore both cultural and political practice, be it in the accommodation of ΓÇÖdiversityΓÇÖ in cultural and social policy, scholarly explorations of hybridity or in state immigration controls. This book investigates the historical and contemporary relationships between museums, places and identities. It brings together contributions from international scholars, academics, practitioners from museums and public institutions, policymakers, and representatives of associations and migrant communities to explore all these issues.

Changes in population flows, migration patterns and demographic movement now underscore both cultural and political practice, be it in the accommodation of ¿diversity¿ in cultural and social policy, scholarly explorations of hybridity or in state immigration controls. This book investigates the historical and contemporary relationships between museums, places and identities. It brings together contributions from international scholars, academics, practitioners from museums and public institutions, policymakers, and representatives of associations and migrant communities to explore all these issues.

The author here offers an account of the development of the public museum in 19th century Britain, with particular reference to the National Gallery in London. The research presented focuses in particular on debate developments related to architecture and the display of works of art.

Museums and museum politics were important elements in the development of the disciplines of Archaeology and Art History in nineteenth-century Britain. This title explores some of the key debates and events which led to the conceptual differentiation and physical separation of 'archaeological' and 'artistic' material culture.