Bøger af Christos Tsagalis

This is the third volume in the series of commentaries on Early Greek Epic Fragments (EGEF III). It contains introduction, text, translation, and commentary on the Herakleia by Panyassis of Halikarnassos and on the Theseis. Two other volumes have been already published (EGEF I: Genealogical and Antiquarian Epic, De Gruyter 2017; EGEF II: Epics on Herakles: Kreophylos and Peisandros, De Gruyter 2022) and one more is to follow (EGEF IV: The Persika by Choerilos of Samos). This sub-series within TCSV aims to provide scholars and students with up-to-date commentaries on the extant fragments of early Greek epic that have not received, contrary to Cyclic epic, the attention they deserve.

In the last fifty years major developments have taken place, both in the field of Homeric studies and in the rest of early Greek epic. These developments have not only created a more solid basis for studying the Homeric epics, but they have also broadened our horizons with respect to the place of Homeric poetry within a larger cultural milieu. The impressive advances in Hesiodic studies, the more systematic approach to the Epic Cycle, the more nuanced use and re-evaluation of dominant twentieth-century theories like Neoanalysis and Oral Theory, the study of other fragmentary Greek epic, the cognitive turn, narratology, the performance of epic poetry in the ancient and modern world, the fruitful utilization of Indo-European material, and the widely accepted recognition of the close relation between Homer and the mythology and literature of the ancient Near East have virtually shaped anew the way we read and understand Homer, Hesiod, and early Greek epic. The studies collected in this volume are informed by most of the aforementioned sub-fields and span four research areas: (i) Homer; (ii) Hesiod; (iii) the Epic Cycle; (d) the performance of epic.

This book offers a new edition and comprehensive commentary of the extant fragments of genealogical and antiquarian epic dating to the archaic period (8th-6th cent. BC). By means of a detailed study of the multifaceted material pertaining to the remains of archaic Greek epic other than Homer, Hesiod, and the Homeric Hymns, it provides readers with a critical reassessment of the ancient evidence, allows access to new material hitherto unnoticed or scattered in various journals after the publication of the three standard editions now available to us, and offers a full-scale commentary of the extant fragments. This book fills a gap in the study of archaic Greek poetry, since it offers a guiding tool for the further exploration of Greek epic tradition in the archaic period and beyond.

Fourth-century Attic grave epigrams reflect a transitional phase in the evolution of the genre of epigram. They testify to a shift of interest towards social issues such as the family, the deceased's age and profession. In a turbulent period of restlessness and uncertainty that followed the devastating Peloponnesian war, the commemoration of the departed in private monuments became an effective mechanism of displaying publicly a new set of social concerns. It is within these contexts that special emphasis has been put on the composition of sepulchral epigrams, their gradual autonomization and sophistication. This book explores this decisive phase in the evolution of the epigram by reconstructing as many ancient contexts as possible on the one hand, and studying sepulchral epigrams as a poetic art on the other.

Den poetischen Techniken der Klagerede in Homers Ilias wird hier erstmals eine eigene Untersuchung gewidmet. Die Klagerede ist, wie diese Arbeit nachweist, eine eigene Untergattung, die in der Ilias aus der Gattung der Grabrede hervorgegangen ist. Oralitatsforschung, Narratologie, Semiotik und rhetorische Analyse werden geschickt genutzt um zu untersuchen, auf welche Weise die personlichen Klagen grundlegende ethische Themen entwickeln und Erzahlfaden entwirren, die in das thematische Geflecht der ganzen Ilias (und ihres weiteren Zusammenhangs) eingesponnen sind: Achills Zorn, der Tod von Patroklos und Hektor, Achills Trauer und sein bevorstehender Tod, die Vorahnung von Trojas Zerstorung. Ausgezeichnet mit dem "e;Annual Award in Classics"e; (2007) der Akademievon Athen.

Exploring the functions of space in the Iliad, Christos Tsagalis shows how active spatial representation in similes and descriptive passages influences characterization and narrative action. He also analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand descriptive and ekphrastic passages.

Tsagalis argues that just as the discarded text of a palimpsest still carries traces of its previous writing, so the Homeric tradition unfolds its awareness of alternate versions as it reveals signs of their erasure.