Bøger af Cicely Hamilton

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

William - an Englishman is a 1919 novel by Cicely Hamilton. The novel explores the effect of the First World War on a married couple during the rise of Socialism and the Suffragette movement. It was originally published by Skeffington & Son. Described as 'a passionate assertion of the futility of war' by The Spectator, William - an Englishman won the first Prix Femina-Vie Heureuse Anglais prize in 1920.

Marriage as a Trade, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

From one of the earliest feminist science fiction writers, a novel that envisions the fall of civilization—and the plight of the modern woman in a post-apocalyptic wilderness.When war breaks out in Europe, British civilization collapses overnight. The ironically named protagonist must learn to survive by his wits in a new Britain. When we first meet Savage, he is a complacent civil servant, primarily concerned with romancing his girlfriend. During the brief war, in which both sides use population displacement as a terrible strategic weapon, Savage must battle his fellow countrymen. He shacks up with an ignorant young woman in a forest hut—a kind of inverse Garden of Eden, where no one is happy. Eventually, he sets off in search of other survivors . . . only to discover a primitive society where science and technology have come to be regarded with superstitious awe and terror. A pioneering feminist, Hamilton offers a warning about the degraded state of modern women, who—being “unhandy, unresourceful, superficial”—would suffer a particularly sad fate in a postapocalyptic social order.

First performed in 1908, How the Vote Was Won is a one act play by actress Cicely Hamilton and Christopher St. John. Set in England during the early 18th century, How the Vote Was Won uses comedy to tell a story in support of women¿s suffrage. In this one act the English government tells its people that women do not need to worry about having the right to vote because the men will be in charge of taking care of them. This was part of the ridiculous idea held by the United Kingdom, and the world at the time. Women were held under the authority of their husbands, and would be solely supported by them. This allowed them no place in politics and took away their autonomy. The play stars Horace, an anti-suffragist, who is confronted by many of his female relatives demanding that he start supporting them since they have no rights. Many of these women formally held jobs, financially supporting themselves but have quit in protest and support of the movement for women to have voting rights, the same as men. Now, Horace is forced to either support each of these women, practicing what he preaches, or admit to his hypocritical beliefs. Written by two of the most notable champions in literature for women¿s rights in the United Kingdom, How the Vote Was Won by Cecily Hamilton and Christopher St. John served as a clever and humorous way to address the inequalities women suffered. Today, the work of these two passionate activists still provides an accurate portrayal of the political landscape they lived in. This edition of How the Vote Was Won by Cecily Hamilton and Christopher St. John features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring How the Vote Was Won to modern standards while preserving the clever comedy and impact of the work of Cecily Hamilton and Christopher St. John.

A collection of seven of the best suffrage plays written to encourage their audiences to allow women the vote. Funny, biting, short and powerful, these plays are perfect for colleges, youth theatres and amateur dramatic societies who want to explore how an earlier generation dealt with misogyny.The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agit-prop and verbatim theatre we know today. Introduced and set in an historical context by Dr Susan Croft together with a chronology of suffrage drama.

When war breaks out in Europe — modern, aerial war whose tactics include displacing entire populations — British civilization collapses overnight. The ironically named Theodore Savage, an educated and idle civil servant, must learn to survive by his wits in a new Britain… one where science and technology swiftly come to be regarded with superstitious awe and terror.The book — by a women’s rights activist often remembered today for her polemical plays, tracts and treatises — was first published in 1922.

The Methuen Drama Book of Suffrage Plays is an anthology of eight exciting pieces written for and by members of the Actresses Franchise League from 1909-13. Immediately playable, they offer strong, varied roles for female casts, while also providing invaluable source material to students and scholars from a wide range of disciplines.Featuring 'How The Vote Was Won' which remains one of the most popular and well known suffrage plays, the volume also includes seven shorter works:'Lady Geraldine's Speech' (1909), a fantastic, fun piece for actresses. Lady Geraldine hasn't thought through the Suffrage cause and, on a visit to an old school friend meets some charismatic, successful and intelligent women who soon enlighten and encourage her on to the right path! 'Pot and Kettle' (1909), a comic piece in which a young woman returns to her family in great distress having assaulted a suffragette who was sitting near her at a Anti-Suffragist meeting.'Miss Appleyard's Awakening' about an anti-suffrage campaigner who finds herself in the home of a sympathizer but ends up inadvertently drawing her hostesses' attention to the contradictions in her arguments 'Her Vote' by the actor and playwright Henry Esmond which provides an interesting male viewpoint on the movement, criticizing the young suffragist for wanting to be part of a movement about which she seems to understand little.'The Anti-Suffragist or The Other Side', a charming, clever monologue about a sheltered young woman who finds herself increasingly involved with her local Anti-Suffrage society and increasingly puzzled by what she learns there.'The Mother's Meeting', an entertaining monologue that uses a working class character to expose the inconsistencies in the Anti-Suffrage arguments. 'Tradition' was first performed at a matinee for the Woman Suffrage Party held at the Berkeley Theatre in New York City on Saturday 24 January 1913.The plays featured articulate the arguments of the Suffrage Movement through a variety of styles, both comic and serious, and perfectly illustrate the use of drama as a medium for social change and entertainment. Together with illustrations and an introduction charting the history of the Actresses Franchise League and exploring the context and provenance of the plays, this is an excellent resource for both study and performance.

Very successful when first performed in London in 1908, Diana of Dobson's introduces its audience to the overworked and underpaid female assistants at Dobson's Drapery Emporium, whose only alternative to their dead-end jobs is the unlikely prospect of marriage.