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A searing critique of participatory art by an iconoclastic historian.
How technology and the attention economy has impacted contemporary art
Comprises of a selection of texts and presentations from a seminar organized in Warsaw in 2008 by the Museum of Modern Art with art historian Claire Bishop that presented a comparative reflection of Western and Eastern European evaluations of the artistic significance of 1968 and the transformations of 1989, which saw the end of the Soviet empire.
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