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In Chapter 5, Semmes analyzes the relationship between the political economy of the mass media and African American aesthetic and artistic production, and argues that the expropriation of African American cultural products is a structural problem contributing to cultural negation.
Historical, sociological, and ecological analyses reveal that the health of a people is broadly determined by the strength, resilience, and vitality of their culture.
Chronicling over forty years of changes in African-American popular culture, the Regal Theatre (1928-1968) was the largest movie-stage-show venue ever constructed for a Black community. Semmes reveals the political, economic and business realities of cultural production and the institutional inequalities that circumscribed Black life.
The most influential and widely read Black literary magazine in the 1960s, Negro Digest played a critical role in the era's Black Arts and Black Consciousness movement and is the most complete voice of that movement.
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