Bøger af Colin Dickey

"From beloved cultural historian and acclaimed author of Ghostland, a history of America's obsession with secret societies and the conspiracies of hidden power The United States was born in paranoia. From the American Revolution (thought by some to be a conspiracy organized by the French) to the Salem witch trials to the Satanic Panic, Illuminati and QAnon, one of the most enduring narratives that defines the United States is simply this: secret groups are conspiring to pervert the will of the people and the rule of law. We'd like to assume these panics exist only at the fringes of society, or are unique features of an internet age. But history tells us, in fact, that they are woven into the fabric of American democracy. Cultural historian Colin Dickey has built a career studying how our most irrational beliefs reach the mainstream, why, and what they tell us about ourselves. In UNDER THE EYE OF POWER, Dickey charts the history of America through its paranoias and fears of secret societies, while seeking to explain why so many people-including some of the most powerful people in the country-continue to subscribe to these conspiracy theories. Paradoxically, he finds, belief in the fantastical and conspiratorial can be more soothing than what we fear the most: the chaos and randomness of history, the rising and falling of fortunes in America, and the messiness of democracy. Only in seeing the cycle of this history, Dickey says, can we break it"--

The after-death stories of Franz Joseph Haydn, Ludwig Beethoven, Swedenborg, Sir Thomas Browne and many others have never before been told in such detail and vividness.Fully illustrated with some surprising images, this is a fascinating and authoritative history of ideas carried along on the guilty pleasures of an anthology of real-after-life gothic tales.Beginning dramatically with the opening of Haydns grave in October 1820, cranioklepty takes us on an extraordinary history of a peculiar kind of obsession. The desire to own the skulls of the famous, for study, for sale, for public (and private) display, seems to be instinctual and irresistible in some people. The rise of phrenology at the beginning of the 19th century only fed that fascination with the belief that genius leaves its mark on the very shape of the head.