Bøger af Country Music Hall of Fame and Museum

This illustrated biography tells the story of one of the most decorated songwriters in history, Country Music Hall of Fame member Bill Anderson, who broke into the music business with “City Lights,” which he penned at the age of nineteen, in 1957. When singer Ray Price released the song in 1958 on Columbia Records, it became a #1 country hit, and it launched Anderson’s long and storied career as a songwriter and recording artist. Anderson’s songs have been recorded by performers as varied as Connie Smith, James Brown, Dean Martin, Willie Nelson, Charley Pride, the Louvin Brothers, Elvis Costello, Conway Twitty, Jerry Lee Lewis, Kenny Chesney, and countless others. His multifaceted career has included stints as a disc jockey, sportswriter, and television star. At the same time, he has demonstrated a remarkable ability to bridge eras in his music and collaborate with writers across the country music spectrum, cementing his reputation as a songwriter and recording artist of uncommon impact and distinction. This book was published as a companion to the Country Music Hall of Fame and Museum’s exhibition Bill Anderson: As Far as I Can See, and it contains a foreword from fellow Grand Ole Opry star Jeannie Seely, along with seventy-five personal photographs and significant images rarely seen.

Husband and wife Boudleaux and Felice Bryant wrote more than six thousand songs together in a wide variety of musical styles. Many would come to be regarded as pop and country classics. These include the biggest hits of the Everly Brothers, such as “Bye Bye Love,” “Wake Up Little Susie,” and “All I Have to Do Is Dream.” As Nashville’s first full-time professional songwriters, the Bryants created enduring compositions that ranged from hard-country songs to tunes of romance and heartbreak, and even the widely known Tennessee state song “Rocky Top.” This book was published as a companion to the Country Music Hall of Fame and Museum exhibition We Could: The Songwriting Artistry of Boudleaux and Felice Bryant. It contains more than 100 rare personal photographs and reproductions of song manuscripts, and it celebrates their remarkable musical achievements and endearing love story

Founded by brothers Charles and Herbert Hatch in 1879, Hatch Show Print is one of the oldest working letterpress poster and design shops in America. Throughout its long history, the shop has produced vibrant posters that served as a leading advertising medium for southern entertainment. Today, Hatch Show Print creates posters the same way they were made 140 years ago. More than a century after the shop’s beginnings, its staff continues to create new and vibrant posters, perpetuating and celebrating an American style of graphic design that holds great appeal for twenty-first century audiences. Richly Illustrated with more than 300 photographs of historic posters printed throughout the shop’s history, this book examines Hatch Show Print’s relationship to and interaction with Nashville’s music industry. Readers will enjoy the book’s generous selection of images of history posters, carved wood and linoleum blocks, and rare photographs.

In Los Angeles, from the early 1960s through the late 1980s, young musicians and singers formed tight-knit musical communities anchored by nightclubs such as the Ash Grove, the Troubadour, and the Palomino. These musicians injected elements of folk, bluegrass, and country to enliven and reinvigorate the sounds of pop and rock. The music flowing from these scenes exerted a lasting influence that would stretch the boundaries and alter the course of both rock and country music. This book, a companion to a major multi-year exhibition at the Country Music Hall of Fame and Museum, traces a musical evolution beginning with California folk and bluegrass groups, which led to the country-rock sounds of the Byrds, CSN&Y, Linda Ronstadt, Emmylou Harris, the Eagles, and many more. In the 1980s, a new wave of L.A. roots-rock ushered in Dwight Yoakam, Los Lobos, and Lone Justice. Richly illustrated with photographs of key musicians on the scene along with treasured items loaned to the museum for the exhibition, the book takes readers on a dazzling journey to a time and place when the beat and grit of rock met the harmonies and the twang of country to produce sounds that reverberate to this day.