Bøger af Craig Santos Perez

Here was Once the Sea features poetry, fiction, and nonfiction guest edited by Rina Garcia Chua, Esther Vincent Xueming, and Ann Ang. While many of these works are comprised mostly of anglophone texts, which reflects the aspirations of regional writers to speak across borders and to the globe at large, several native languages appear on these pages. Here, Southeast Asia refers to the constituent nations of the Association of Southeast Asian Nations (ASEAN), namely, Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam, as well as their associated diasporas. The writers and the peoples of the region live and remember more profoundly than we know. Their work explores the ecological across a multiscalar spectrum, featuring both geological landscapes and visceral botanical or animal entanglements, inheriting histories and spiritualities that defy and disrupt modern epistemologies. Together they represent a chorus of offerings, first and foremost to the land and the sea; and secondly to you, our readers, as an invitation to attend to the urgencies and travails of our homes. These are the stories we share and the stories we carry in our pasiking (basket) as we follow movements towards our destinies. These are the stories that sing of hope--for ourselves and for our world; ones that we whisper silently to ourselves as we touch our lips to the familiar earth and wait for the incoming monsoon rain to fall gently on our backs, our fields, our rivers.

"Mutiny is the seventh book from award-winning and internationally-renowned Pacific Islander author Craig Santos Perez. These poems were originally published in journals and anthologies between 2008-2023, but this is the first time they have been collected into a single volume. Throughout, Perez continues his critical exploration of native cultures, decolonial politics, colonial histories, and the entangled ecologies of his homeland of Guam, his current residence of Hawai°i, and the larger Pacific region in relation to the Global South and the Indigenous Fourth World. As he reminds us about the power of storytelling: 'If we can write the ocean, we will never be silenced.'"--

Despite the vast distance between Hawaii and Guahan (Guam), these islands and their peoples have experienced similar cultural, historical, ecological, and political struggles. Writers and artists from both places have been engaged in unwriting colonial representations and envisioning decolonial futures. This anthology acts as a cross-current between our home(is)lands, weaving our voices across the New Oceania.

"This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guêahan (Guam), and the culture of his indigenous Chamoru people. "êAmot" is the Chamoru word for "medicine," and commonly refers to medicinal plants. Traditional healers were known as yo'êamte, and they gathered êamot in the jungle, and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process. Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of êamot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders"--

The first installment in the Chamorro poet's series on the history, ecology, and mythology of Guam

Extending beyond lyric, narrative, documentary, dramatic monologue, this text invites and incites, violates and revitalizes our awareness of what frames our relationship to culture, community, self

Using a replica of the native Chamorros' outrigger boats as his figurative vessel, this title explores the personal, historical, cultural, and natural elements of the poet's native Guam.

"Native Pacific Islander writer Craig Santos Perez has crafted a timely collection of eco-poetry comprised of free verse, prose, haiku, sonnets, satire, and a form he calls "recycling." Habitat Threshold begins with the birth and growth of the author's daughter and captures her childlike awe at the wondrous planet. As the book progresses, however, Perez confronts the impacts of environmental injustice, global capitalism, toxic waste, animal extinctions, water struggles, human violence, mass migration, and climate change. Throughout, Perez mourns lost habitats and species and faces his fears about the world his daughter will inherit. Yet this work does not end at the threshold of elegy; instead, the poet envisions a sustainable future in which our ethics are shaped by the indigenous belief that the earth is sacred and all beings are interconnected--a future in which we cultivate love and "carry each other towards the horizon of care.""--