Bøger af Cris Mazza

"The Decade of Letting Things Go is a book of linked essays containing still-relevant experiences that take place after the age of becoming socially and/or professionally invisible, as the author searches for the elusive serenity of self-acceptance among a growing list of losses. The decade contains many of life's expected losses: of pets, parents, old mentors, and symbols of enduring natural places; plus the loss of identities: child, student, partner, "successful" author. Some of late life's experiences aren't so easily categorized: having a mentally ill neighbor try to get you to come outside and fight; unpacking the complicity in 30-year-old #MeToo incidents; "hooking up" with a "boy" from your teenaged past; struggling to accept that lifelong sexual dysfunction will never wane; realizing a deeply trusted mentor from 45 years ago might be declining into dementia when he claims 6-year-old girls are being forced to run races to put condoms on erect penises; plus a lifelong attachment to a childhood wound of having a "preferred child" as a sibling. And there's the apparent loss of hope: for ever finding contentment in the mark one makes in the world or for ever forming an identity that brings contentment. Except that these latter two have no expiration date, and the exhausted author, at the end, is ready to keep looking"--

Would her life have been better if she'd had sex with her supervisor when she was 23? Hester Smith is a woman who always played life near the sidelines-until she decides to rescue a teenage Mexican prostitute. She's up against the border sex trade in SouthernCalifornia that works like a drug cartel, where the smuggled contraband is teenage girls forced to work as prostitutes in undeveloped canyons just outside suburbia. Law enforcement agencies know it happens, as do investigative journalists, yet the illegal sex trade continues to exist. Most people, comfortable in their homes only miles away, express some brand of shock in the moment they hear about it-and then they go on with their lives, assured there's nothing they can do. While she prepares for the rescue, Hester discovers that the man with whom she almost had an affair-her mentor when she was a 23 year-old student teacher-had been simultaneously having a sexual relationship with a 16 year-old student. Hester mines her own memories of the would-be affair and ultimately tracks down the former 16 year-old. When these two women with a shared scandal in their pasts confront one another, the meeting coincides with the last step necessary to rescue the teenage prostitute Hester has tried to protect. It is only this mayhem that allows Hester to finally take ownership of her decisions and regrets.

A dazzling array of starshot across the sky from the brilliant Cris Mazza, who reminds us again and again that we must not only hold the line when it comes to our individual and community worth, but endlessly imagine a future. Cris Mazza makes feminism act like a verb, an ever-adapting organism, a space of change.

Would her life have been better if she d had sex with her supervisor when she was 23? Hester Smith is a woman who always played life near the sidelinesuntil she decides to rescue a teenage Mexican prostitute. She s up against the border sex trade in Southern California that works like a drug cartel, where the smuggled contraband is teenage girls forced to work as prostitutes in undeveloped canyons just outside suburbia. Law enforcement agencies know it happens, as do investigative journalists, yet the illegal sex trade continues to exist. While she prepares for the rescue, Hester discovers that the man with whom she almost had an affairher mentor when she was a 23-year-old student teacherhad been simultaneously having a sexual relationship with a 16-year-old student. Hester mines her own memories of the would-be affair and ultimately tracks down the former 16-year-old. When these two women with a shared scandal in their pasts confront one another, the meeting coincides with the last step necessary to rescue the teenage prostitute Hester has tried to protect. It is only this mayhem that allows Hester to finally take ownership of her decisions and regrets."

A versatile and probing novelist, Mazza is at her clarion best in this riveting improvisation on the lost world chronicled in her memoir, Indigenous: Growing Up Californian (2003). Ronnie works in the geriatric hospital in which her stroke-afflicted father lives, but Medicare patients such as he are being forced to leave, and she decides that now is the time to attend to some mysterious, unfinished business involving the remains of her brother and mother, whose shocking deaths have so cruelly oppressed her. But their odd quest is interrupted by a pack of violent suburban teens. Rescued by a handsome and enigmatic migrant worker advocate, Ronnie and her father follow his lead and seek shelter deep in the canyons. As they struggle to survive, their tragic past unfolds in vivid flashbacks, and Mazza's mythic and mesmerizing tale charts the cruel paradoxes inherent in migrant workers' lives.

In the era just before computers, at the dawn of "safe sex," for a sub-generation of people who came of age without a war in Vietnam to unite them, the stories in Trickle-Down Timeline are glimpses into individual lives subtly influenced by the political and social milieu of the 1980's. For some people, the surplus and glut of the 80's were part of some other world, not theirs; and it couldn't be a "me-generation" if they didn't know who they were or where they were going. They were often just finding out what they were going to want; or they were, in starting out, already where they were going to end up.

As children, Tam and her older brother were swimming when she suffered her first epileptic seizure. He pulled her from the water and was crowned a hero. Tam was labeled "disabled" and never swam again. And so began 30 years of vigilance, never allowing her body to betray her, never allowing her brother or her family or anyone else to influence her path. Now, in middle age, a lifetime's worth of control has taken its toll. Exhausted, she heads to Maine where, while working on a genealogy project, she falls under the spell of two dead women: an ancestor, Mary Catherine, who died at 33; the other, the town ghost. Through their cloistered, tragic lives Tam relives her own life over and over -- until a distant cousin forces her to see herself in a new light. Tam's quest to transcend self-imposed limitations is superbly crafted and richly satisfying.