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In this study Daniel R. Schwarz argues that the narrative and representational aspects of Stevens's poetry have been neglected in favour of readings that stress his word play and rhetoricity. Schwarz shows how Stevens's concept of representation is deeply influenced by modern painters such as Picasso and Duchamp. He shows that Stevens's poetry needs to be understood in terms of a number of major contexts: the American tradition of Emerson and Whitman, the Romantic movement, and the Modernist tradition.
This analysis of Damon Runyon's high spirited work in terms of historical contexts, popular culture and of the changing function of the media, argues that Runyon was an indispensible figure in creating public images of New York City culture.
Explores this period in the development of the English novel, integrating critical theory, historical background and close reading. The first part challenges New Critical tenets such as "exit author", and the second offers an alternative to the deconstructive and Marxist trends in literary studies.
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