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Daniel Albright investigates musical phenomena through the lens of monism, the philosophical belief that things that appear to be two are actually one.
"Albright contends that Tennyson's "aesthetic goals were... in conflict" and that his poetry attempts to "unite two incompatible poetics',' one governed by a heavenly muse, the other by an earthly muse suspicious of the idealizations and abstractions held dear by the first. The result is a poetry of "myopia and astigmatism".
This work offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others - all of which combine with Daniel Albright's commentary to place modernist music in the context of a broader intellectual history.
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