Bøger af Darryl Pinckney

But how we misread them, bright drop after bright drop in the sea of night. Based on the letters of Mary Queen of Scots, Mary Said What She Said is the testimony of Mary Stuart as she awaits martyrdom, accused of involvement in the most notorious plots of the time.

Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick's creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick's best friend and neighbor and a fellow founder of The New York Review of Books.Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history. In addition, through his peers and former classmates-such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin-Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope. In Come Back in September, through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.

Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick's creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick's best friend and neighbor and a fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history.Pinckney's education in Hardwick's orbit took place in the context of the cultural movements then sweeping New York. In addition, through his peers and former classmates-such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin-Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope.In Come Back in September, Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration-in the way she worked, her artistry, the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.

With this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "e;outsiders."e; Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance--a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "e;children of the diaspora"e; over the past century.

An incisive reflection on black electoral politics, disenfranchisement, and the lasting legacy of the civil rights movement-now with a brand-new essay on the Covid-19 pandemic, reparations, and the 2020 George Floyd protests.Blackballed is Darryl Pinckney's meditation on a century and a half of participation by blacks in US electoral politics. In this combination of memoir, historical narrative, and contemporary political and social analysis, he investigates the struggle for black voting rights from Reconstruction through the civil rights movement to Barack Obama's two presidential campaigns. Drawing on the work of scholars, the memoirs of civil rights workers, and the speeches and writings of black leaders like Martin Luther King and Stokely Carmichael, Andrew Young and John Lewis, Pinckney traces the disagreements among blacks about the best strategies for achieving equality in American society as well as the ways in which they gradually came to create the Democratic voting bloc that contributed to the election of the first black president.Interspersed through the narrative are Pinckney's own memories of growing up during the civil rights era and the reactions of his parents to the changes taking place in American society. He concludes with an examination of ongoing efforts by Republicans to suppress the black vote, with particular attention to the Supreme Court's recent decision striking down part of the Voting Rights Act of 1965. Also included here is Pinckney's essay "What Black Means Now," on the history of the black middle class, stereotypes about blacks and crime, and contemporary debates about "post-blackness," as well as a new essay, "Buck Moon in Harlem," which reflects on Juneteenth and the ongoing fight for racial justice, and offers a glimpse of New York City amid the Covid-19 pandemic and the protests following the killing of George Floyd.

An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider searching for an obscure home in Europe's brightest and darkest city.

An elegant, insightful novel that evokes the world of upper middle class blacks, following an unnamed narrator from a safe childhood in conservative Indianapolis, to a brief tenure as minister of information for a local radical organisation, to the life of an expatriate in Paris.