Bøger af David Blair

""Abreg����� des sciences et des arts"" (1847) de Blair, David est un livre qui offre une vue d'ensemble des sciences et des arts de l'�����poque. Ce livre couvre une grande vari�����t����� de sujets, tels que la g�����ographie, l'histoire, les math�����matiques, la physique, la chimie, la botanique, la zoologie, la musique, la po�����sie et la litt�����rature. Il est destin����� aux �����tudiants et aux enseignants qui cherchent ������ acqu�����rir une connaissance g�����n�����rale de ces domaines. Le livre est �����crit dans un style clair et concis, avec des illustrations et des diagrammes pour aider ������ expliquer les concepts. Il est consid�����r����� comme une ressource pr�����cieuse pour ceux qui cherchent ������ comprendre les sciences et les arts du 19�����me si�����cle.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A collection of short travelogues and stories about cycling adventures in Scotland. Starting with a crash, then crossing the country from coast to coast, visiting the islands and west coast, and ending with some bikepacking, a haunted bothy and a race."Starting in Kyle of Lochalsh in the north-west and crossing the widest part of Scotland to reach the east coast in Montrose, it looked good. It promised adventure, beauty and excellent mountain biking, all contained within a five to seven day long, 270 kilometre mostly off-road route.The more of the route description I read, the more interested I became. I'd never really contemplated the possibility of a multi-day mountain biking trip before, but as I read on, it seemed like a pretty good way to spend a holiday.""It was the middle of winter. One of the wettest, most miserable winters in living memory.""The trees were a frozen whitish shade of green, crystals of ice clinging to the pine needles. The steam from our breath drifted across and made cloudy patterns in our beams of light."

Pedalling Tales is a collection of stories from bike adventures across Scotland and northern England. Included are multi-day off-road rides, races, bike-packing, and bothy visits. Travel with the author along secret ways hidden in the hills and well known routes, through struggles and exhilaration, meeting some strange characters along the way.

""Outlines of the History of Ancient Rome, Embracing its Antiquities: On the Plan of David Blair"" is a book written by David Blair and first published in 1828. The book provides a comprehensive overview of the history of ancient Rome, from its founding in 753 BC to the fall of the Western Roman Empire in 476 AD. The author covers various aspects of Roman culture, including its art, architecture, religion, and politics. The book is organized chronologically and provides a detailed account of the major events and figures that shaped ancient Rome. The author also includes maps and illustrations to help readers visualize the ancient world. Overall, ""Outlines of the History of Ancient Rome"" is an informative and engaging resource for anyone interested in the history of one of the world's greatest civilizations.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Daddy, where does lightning come from?" An epic adventure that takes place during a time period when Dragons were alive and freely roamed the land. The people during this time were getting eaten by a vicious species of Dragons. The ruling King finally orders the total annihilation of all living dragons. A powerful wizard, named Merlinius, who is a friend to the king, does not agree with the King's order, for Merlinius knows that all Dragons are not what they seem. So he does what he must to protect a family of Dragons that he had befriended. And to protect his Dragon friends, Merlinius performs the spell of weightlessness and tells the Dragons to fly up and hide in the cover of the Clouds. He then gives the Dragons strict instructions to live within the clouds and to only come down at night to eat. An apprentice to the wizard who has grandeur of his own has a plan for Dragons that he has hidden deep within a mountain cavern. Now enters a young boy, who had also befriended a dragon, though a very young one, suddenly finds themselves caught between the King's order and a battle that has begun between two species of Dragons. A battle that would determine control of the skies above the Kingdom of Albion. This Apprentice's plan has consequences that may bring the Kingdom and perhaps the very world we live in today to a devastating end.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury.Late in the eighteenth century authors began to write 'Gothic' stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the 'Age of Reason'.This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting 'The Lame Priest' are 'lost masterpieces' and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling - tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind - insanity, sexuality, death and the often terrible power of the past to catch up with the present.In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories' place in the complex traditions of Gothic writing in British and American literature.

What a strange and intense book this is! David Blair has a wild, restless imagination and he uses language like saw, a hammer, a velvet whip. He can write incredibly tender (and original) love poems and enfilading satirical poems, as well as many of the many other kinds of poems between those poles, and they all seem entirely at home, indeed, need to be in this book together. His music, his diction, his refusal to use (ever!) cliches, his syntax all drive his poems and their hearts forward. That is where his poems go: forward. He will be in the company of the best poets of his generation. --Thomas Lux Nothing can remain horizontal or vertical for long might as well be David Blair's mini ars poetica. A commitment to the pleasures and terrors of change, you might say. I have been reading Blair's poems for about ten years now--struck always by his unique pitch and tone, the tensile muscularity of his syntax and vibrational accents. His diction is totally unboxed. He reminds me a bit of August Kleinzahler or John Yau in this--a karaoke of urban hullabaloo sung slightly off the beat, all for the sake of swing....David Blair's acceptance of the world is signaled by his stylishness, provoked by the people and things he encounters. His brain knows that it's living in an animal body. And it moves among all these other minds and bodies in motion. Changed by the smallest of changes. Unbalanced but at ease. This poet's energy reminds me of Edwin Denby's comments about De Kooning's paintings from the 1930s: He wanted everything in the picture out of equilibrium except spontaneously all of it...a miraculous force and weight of presence moving from all over the canvas at once. These poems wantthat, too. --David Rivard, /Boston Review/ David Blair's work is both public and discreet, somewhere between black box theatre and a blind date with an utterly beguiling stranger. His poems are dinner parties, intimate and sumptuous, arranged with great care and yet full of unforeseen turns: the pope gives way to 'the first red coils of the peonies' and a the hair of a lost aviator becomes 'brown, fibrous light.' How refreshingly unlike contemporary poetry this book is; a pleasure. --D. A. Powell

an extended discussion of the re- vance of his philosophy to understanding some of the problems inherent in information systems, especially those systems which rely on retrieval based on some representation of the intellectual content of that information.

an extended discussion of the re- vance of his philosophy to understanding some of the problems inherent in information systems, especially those systems which rely on retrieval based on some representation of the intellectual content of that information.