Bøger af David Cronenberg

The debut novel by the iconic film director.Stylish and camera-obsessed, Naomi and Nathan are lovers and competitors - nomadic freelancers in pursuit of sensation and depravity in the social media age, encountering each other only in airport hotels and browser windows.Naomi finds herself drawn to the headlines surrounding Celestine and Aristide Arosteguy, Marxist philosophers and sexual libertines. Celestine has been found dead and mutilated in her Paris apartment. Aristide, suspected of the killing, has disappeared. Naomi sets off in pursuit, but the secrets she discovers are as seductive as they are disturbing.Nathan, meanwhile, is in Budapest photographing the controversial work of an unlicensed surgeon named Zoltan Molnar. After sleeping with one of Molnar's patients, Nathan contracts a rare STD called Roiphe's. Nathan then travels to Toronto, determined to meet the man who identified the syndrome. Dr. Barry Roiphe, Nathan learns, now studies his own adult daughter, whose bizarre behaviour masks a devastating secret.These parallel narratives become entwined in a gripping, dreamlike plot that involves geopolitics, 3-D printing, North Korea, the Cannes Film Festival, cancer, and, in an incredible number of varieties, sex. 'Consumed' is an exhilarating, provocative debut novel from one of the world's leading film directors.

An image-text dialogue between David Cronenberg's vision of the human body and wax models from a legendary Italian science museumThis book was published for an exhibition at Fondazione Prada, where the models of La Specola Museum (part of the Museum of Natural History in Florence) were exhibited alongside a newly conceived short film by Canadian film director David Cronenberg. It includes interviews with the director and an anthology of previously published texts on La Specola's collection and Cronenberg's filmography by Maria Luisa Azzaroli, Fausto Barbagli, Mario Bucci, Gianni Canova, Simone Contardi, Eleanor Crook, Francesco Paolo de Ceglia, Georges Didi-Huberman, Joanna Ebenstein, Giovanni Festa, Marcie Frank, Mauro Giori, John Hatch, Zoltan Kádár, Peter K. Knoefel, Chloe Anna Milligan, Marta Poggesi, Mario Praz, Dylan Trigg and Marcos Uzal, among others. The contributions examine the remarkable heritage and the current resonance of the wax models from historical, academic and artistic perspectives, and investigate David Cronenberg's vision of the body, to underline the relevance of scientific research and its connection to creative practice.

“An eye-opening dazzler” (Stephen King) about a pair of globetrotting, gore-obsessed journalists whose entanglement in a French philosopher’s death becomes a surreal journey into global conspiracy from legendary filmmaker David Cronenberg.Stylish and camera-obsessed, Naomi and Nathan thrive on the yellow journalism of the social-media age. Naomi finds herself drawn to the headlines surrounding a famous couple, Célestine and Aristide, Marxist philosophers and sexual libertines. Célestine has been found dead, and Aristide has disappeared. Police suspect him of killing her and consuming parts of her body. Yet Naomi sets off to find him, and as she delves deeper into the couple’s lives, she discovers the news story may only skim the surface of the disturbing acts they performed together. Journalist Nathan, meanwhile, is in Budapest photographing the controversial work of an unlicensed surgeon named Zoltán Molnár, once sought by Interpol for organ trafficking. After sleeping with one of Molnár’s patients, Nathan contracts a rare STD called Roiphe’s and travels to Toronto, determined to meet the man who discovered the syndrome. Dr. Barry Roiphe, Nathan learns, now studies his own adult daughter, whose bizarre behavior masks a devastating secret. These parallel narratives become entwined in a gripping, dreamlike plot that involves geopolitics, 3-D printing, North Korea, the Cannes Film Festival, cancer, and, in an incredible number of varieties, sex. Consumed is an exuberant, provocative debut novel from one of the world’s leading film directors, a writer of “fierce sculptural intensity” (Jonathan Lethem, The New York Times Book Review) who makes it “impossible to look away” (Publishers Weekly).