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The book that explains the whole extraordinary course of Italian history like no other in English The Pursuit of Italy traces the whole history of the Italian peninsula in a wonderfully readable style, full of well-chosen stories and observations from personal experience, and peopled by many of the great figures of the Italian past, from Cicero and Virgil to Dante and the Medici, from Cavour and Verdi to the controversial political figures of the twentieth century. The book gives a clear-eyed view of the Risorgimento, the pivotal event in modern Italian history, debunking the influential myths which have grown up around it. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities and cuisine and whose inhabitants identified themselves not as Italians, but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. This is where the strength and culture of Italy still comes from, rather than from misconceived and mishandled concepts of nationalism and unity. This wise and enormously engaging book explains the course of Italian history in a manner and with a coherence which no one with an interest in the country could fail to enjoy. David Gilmour is one of Britain's most admired and accomplished historical writers and biographers. His previous books include The Last Leopard : A Life of Giuseppe di Lampedusa (winner of the Marsh Biography Award) Curzon (Duff Cooper Prize) and Long Recessional:The Imperial Life of Rudyard Kipling (Elizabeth Longford Prize for Historical Biography).
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
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An immersive portrait of the lives of the British in India, from the seventeenth century to IndependenceWho of the British went to India, and why? We know about Kipling and Forster, Orwell and Scott, but what of the youthful forestry official, the enterprising boxwallah, the fervid missionary? What motivated them to travel halfway around the globe, what lives did they lead when they got there, and what did they think about it all? Full of spirited, illuminating anecdotes drawn from long-forgotten memoirs, correspondence, and government documents, The British in India weaves a rich tapestry of the everyday experiences of the Britons who found themselves in "the jewel in the crown" of the British Empire. David Gilmour captures the substance and texture of their work, home, and social lives, and illustrates how these transformed across the several centuries of British presence and rule in the subcontinent, from the East India Company's first trading station in 1615 to the twilight of the Raj and Partition and Independence in 1947. He takes us through remote hill stations, bustling coastal ports, opulent palaces, regimented cantonments, and dense jungles, revealing the country as seen through British eyes, and wittily reveling in all the particular concerns and contradictions that were a consequence of that limited perspective. The British in India is a breathtaking accomplishment, a vivid and balanced history written with brio, elegance, and erudition.
One of The Economist's Books of the YearA provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and presentDid Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance-and weakness-of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past-from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era.Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.
David Gilmour sets up a harrowing premise - the disappearance of a child. What follows is a completely absorbing novel that doesn't let up until the last surprising page.
"[A] lavishly enjoyable book." -Tunku Varadarajan, The Wall Street JournalBetween 1837 and 1901, fewer than one thousand Britons at any one time managed an empire of 300 million people spread over the vast area that now includes India, Pakistan, Bangladesh, and Burma. How was this possible, and what were these people like? The British administration in India took pride in its efficiency and broad-mindedness, its devotion to duty and its sense of imperial grandeur, but it has become fashionable to deprecate it for its arrogance and ignorance. In The Ruling Caste, a balanced, witty, and multi-faceted history, David Gilmour goes far to explain the paradoxes of the "Anglo-Indians," showing us what they hoped to achieve and what sort of society they thought they were helping to build. "[A] dense and impressive new book on the civil administrators of Victoria's Indian Empire . . . Gilmour is a serious historian. He writes accessibly and even wittily, with a wealth of anecdotage and an eye for the telling story." -Shashi Tharoor, The Washington Post"Mr. Gilmour is a stylish and engaging writer . . . [He] does make the case that the civilians, however tarnished their cause in modern eyes, deserve better than they get in A Passage to India." -William Grimes, The New York Times
"Elegant biography . . . a fast-moving, entertaining, and finely written story." --Simon Schama, The New YorkerGeorge Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon is seen as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.
"Readable and reliable . . . [Gilmour's] assessment of the political background of Kipling's writings is exemplary." -Earl L. Dachslager, Houston ChronicleDavid Gilmour's superbly nuanced biography of Rudyard Kipling, now available in paperback, is the first to show how the great writer's life and work mirrored the trajectory of the British Empire, from its zenith to its final decades. His great poem "Recessional" celebrated Queen Victoria's Diamond Jubilee in 1897 and his last poems warned of the dangers of Nazism, while Kipling himself, an icon of the empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling's mysterious and enduring works deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge our own generation.
Jesse didn't want to go to school anymore. After much deliberation, his father offers him an unconventional deal: he can drop out, sleep all day, not work, not pay rent, but on one condition - that he watches three films a week, of his father's choosing.What follows is an unusual journey as week by week, side by side, they watch the world's best (and occasionally worst) films - from True Romance to Chunking Express, A Hard Day's Night to Rosemary's Baby, and La Dolce Vita to Giant. The films get them talking: about girls, music, heartbreak, work, drugs, money, friendship - but they also open doors to a young man's interior life at a time when a parent is normally shut out. Gradually the father's initial worries are set aside as he watches his son morph from chaotic teenager to self-assured adult - who even starts to get up before noon. As the film club moves towards its poignant and inevitable conclusion, the young man makes a decision which surprises even his father...The Film Club is a book that goes straight to the heart. Honest, unsparing, and emotive, it follows one man's attempt to chart a course for his beloved son's rocky passage into adulthood.
Aims to unearth the life story of the creator of "The Leopard", one of the novels of the twentieth century. This book stands as a meditation on what it is that makes a writer.
In 1900 just over a thousand British civil servants ruled a population of nearly 300 million people spread over a territory now covered by India, Pakistan, Burma and Bangladesh.
Rudyard Kipling was a unique figure in British history, a great writer and a great imperial icon. He won the Nobel Prize for Literature, he added more phrases to the language than any man since Shakespeare, yet he was also the Apostle of the British Empire, a man who incarnated an era for millions of people who did not normally read poetry.
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