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Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes. Adapted for the stage by Greig, Simpson's story explodes into a bold theatrical fantasia.
The first thing I remember is... falling.A young man arrives in a dying city with seashells in his pockets. He doesn't know who he is, or how he got here. He goes by the only name he can think of: Lanark. Lanark is a portrait of the outsider artist as a young man, an exploded life story like no other. This theatrical re-imagining of Alasdair Gray's classic novel takes us from the Dragon Chambers to the Cathedral of Unthank, from the post-war Glasgow School of Art to the sinister underground Institute, from the heavenly city of Provan to the hellish Elite Cafe, combining science-fiction, realism, fantasy, and playful storytelling.'Insanely ambitious... a heady, unsettling, unpredictable dream... this is a darkly playful and intriguingly dislocated evening in which chronological time, theatre's fourth wall, character conventions and all expectations get smashed.' GuardianLanark: A Life in Three Acts was conceived in collaboration by David Greig and Graham Eatough and adapted for the stage in collaboration with the creative team. It was presented as a co-production between the Citizens Theatre and the Edinburgh International Festival at the Edinburgh International Festival 2015.
One wintry morning academic Prudencia Hart sets off to a conference in the Scottish Borders. Stranded there by snow, she is swept off on a dream-like journey of self discovery, complete with magical moments, devilish encounters and wittily wild music.'You shouldn't miss this for the world . . . Rambunctiously life-affirming and touchingly beautiful.' Herald'More vibrantly alive than any piece of theatre I've seen in Scotland for years.' ScotsmanInspired by the Border ballads, The Strange Undoing of Prudencia Hart toured throughout Scotland in 2011 in a production by the National Theatre of Scotland.
Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash. The two of them are just about surviving when one morning the Duke wakes up blind and the Duck hears Social Services are coming to take her away.The Monster in the Hall follows Duck as she tries to protect her world from the terrifying prospect of change.David Greig's The Monster in the Hall premiered at the Citizens Theatre, Glasgow, in autumn 2010, and was staged at the Traverse Theatre, Edinburgh in 2011 as part of the Edinburgh Festival Fringe.
Suspect Culture's Casanova follows the travels of an internationally renowned artist who is curating the final exhibition of his illustrious career: an account of his life as the world's greatest lover.
David Greig: Plays 1 brings together four key plays by the playwright described by the Daily Telegraph as 'one of the most interesting and adventurous British dramatists of his generation'. In Outlying Island two young Cambridge ornithologists are sent to a remote island. Together with its authoritarian leaseholder and his niece they observe an innocence that is about to be destroyed forever. San Diego offers a strange and occasionally nightmarish journey into the heart of the contemporary American dream, weaving together stories of illegal immigrants, of film stars and whores, and even of the playwright himself. Pyrenees follows a man found lying in the snow in the foothills as he tries to piece together his identity. In The American Pilot a crash-landing in a remote valley in a distant country raises questions about how the world sees America and how America sees the world. The collection also includes a trilogy of short plays, Being Norwegian, Kyoto and Brewers Fayre, published here for the first time. Outlying Island 'I can't recommend it highly enough . . . A rich, charged play, veering between the comic and the poetic as innocence gives way to experience.' Telegraph San Diego 'A surreal and intriguing piece of theatre . . . dazzling . . . Home and awake from the mythical dream that is San Diego, the name David Greig remains imprinted on our minds.' Independent Pyrenees 'All the wit and intelligence of previous works, probing away at concerns that are both contemporary and timeless...A classy, rewarding, engaging drama, Greig's best to date.' The TimesThe American Pilot 'One of the most intellectually stimulating dramatists around. A richly provocative new play.' Guardian
Late at night in a foreign land, an English army sweeps through the landscape under cover of darkness and takes the seat of power. Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country. He seeks to restore peace to a country ravaged by war. This is Scotland in the eleventh century at the height of the fight for succession of the Scottish throne. David Greig's Dunsinane premiered in February 2010 at Hampstead Theatre, London, in a production by the Royal Shakespeare Company.
Yellow Moon is a modern Bonnie and Clyde tale that follows the fortunes of two teenagers on the run. Silent Leila is an introverted girl who has a passion for celebrity magazines. Stag Lee Macalinden is the deadest of dead-end kids in a dead-end town. They never meant to get mixed up in a murder... but now they need a place to hide.Yellow Moon explores what it means to live in a celebrity-obsessed world and what it is that defines who you are when you're 17 years old. The play premiered at the Circle Studio of Citizens' Theatre, Glasgow, in September 2006, and won the 2008 Brain Way Award for Best Play for Young People.
In 1939, on the eve of the Second World War, two young Cambridge ornithologists arrive on a remote, uninhabited Scottish island, sent by the government to survey the island's birds.
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