Bøger af David Hare

Skylight premiered at the National Theatre in 1995 and then went on to become one of the most internationally successful plays of recent years. This is the definitive edition of Skylight.

Take a visual tour of Ireland's lighthouses - and learn loads along the way!

Full Length, DramaCharacters: 3 male, 2 femaleUnit SetsDavid Hare's new play The Vertical Hour is a thought-provoking exploration of how the political can sometimes intersect, collide with and ultimately dismantle the personal. While the play is positively brimming with cogent and fascinating arguments involving the current political situation, the production only fitfully succeeds in bringing this story to life. Hare fills The Vertical Hour with several of th

This is a collection of striking images and fascinating stories about the lighthouses around Ireland's coast and the extraordinary men and women who lived and worked in them - as seen on the RTÉ TV series of the same name.

"Please reject absolutely the crazy . . . suggestion that playwrights don't have intentions . . . They do."In this intimate collection of writings by the author of Stuff Happens and Plenty, David Hare reveals a perspective as meticulously constructed as one of his dramas. In selections ranging from his beginnings as a politically charged upstart in the seventies through to his current position as one of the world's most respected playwrights, Hare skillfully expands upon the prevailing themes of his astounding body of work. With a serious eye on social issues-tempered by a distinct irreverence-Hare dissects the role of entertainment in contemporary society, mapping, in the process, a dynamic new trajectory for post-millennium theater.

"Politics is about the reconciliation of the irreconcilable," says Nadia Blye, a young American war reporter turned academic who teaches political studies at Yale. With her faith in academia beginning to erode and memories from her time in the Balkans and the Middle East haunting her, Nadia travels with her boyfriend, Philip Lucas, to rural England to visit her father, Oliver, who has his own past to reckon with. The challenge of Nadia's encounter with Oliver forces decisions on her that will affect her for the rest of her life.For thirty-five years, David Hare has written plays that capture the flavor of our times and address the interconnection between our secret motives and our public politics. In The Vertical Hour, he continues his investigation of the morality of international intervention, and of how the war in Iraq impacts the lives of British and American citizens.

A darkly comic look at love and addiction by the author of Amy's ViewWhen struggling poet, reformed alcoholic, and devout Alcoholics Anonymous adherent Paul Peplow interviews the wildly successful, reclusive, and notoriously prickly entrepreneur Victor Quinn, he is in no way prepared for what is to follow. Victor is not only familiar with Paul's obscurely published work but can quote from it liberally; he is also somehow aware of Paul's battle with alcoholism and, without solicitation, Victor challenges Paul with his own confrontational thoughts on addiction, the true meaning of recovery, and what he sees as AA's hidden aga. Victor then concludes their bizarre encounter by offering Paul a job decorating the legend of his fast-growing Internet business. Yet as surreal as all this is, Paul is even less prepared to deal with Victor's seductive wife, Elsa, also a former alcoholic, but one who continues to drink and tempts Paul in ways that rattle him to his very core. Bound to incite discussion and controversy, My Zinc Bed is among David Hare's finest and most insightful plays -- a compelling work which boldly explores the extent to which one person can control the lives of those around him.

Arthur Schnitzler described Reigen, his loose series of sexual sketches, as "completely unprintable," and indeed its premiere in 1921 spurred an obscenity suit. It was only when Max Oph"ls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a brilliant meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

Not everyone arrives safely. The great detective writer Georges Simenon escaped France at the end of World War Two, and arrived in the USA to start again. With his American wife, he settled at Shadow Rock Farm in Lakeville. Years later, he wrote La Main, a psychological thriller set in a New England farmhouse.

Covid-19 seems to be a sort of dirty bomb, thrown into the body to cause havoc. On the same day that the UK government finally made the first of two decisive interventions that led to a conspicuously late lockdown, David Hare contracted Covid-19.

'I want to give my country a model of perfection... Nothing less. My country needs cheering up. I'm the man to do it.'Nobody can doubt John Christie's passion nor his formidable will: his wooing of his opera singer wife has been marked by a determination befitting a man who won the Military Cross at the Battle of Loos. Now, in 1934, this Etonian science teacher's admiration for the works of Wagner has led him to embark on an ambitious project: the construction of an Opera House on his estate in Sussex.But such is the scale of the enterprise that passion alone may not be enough. It's only when a famous violinist is delayed by fog overnight in Eastbourne that Christie hears word of a group of refugees for whom life in Germany is becoming impossible. Perhaps they can deliver Christie's vision of the sublime - assuming they're willing to cast his wife in the lead.David Hare's new play is the story of an intense love affair between some unlikely bedfellows, and of the unrelenting search for artistic excellence in the face of searing scrutiny, sacrifice and war.The Moderate Soprano premieres at Hampstead Theatre, London, in October 2015.

In vividly dramatic form, this play tells how a remote Chinese village comes to terms with Communism. Every revolution creates new words. The Chinese revolution created a whole new vocabulary in which a very important word is "fanshen" which literally means "to turn the body" or "to turn over." To hundreds of millions of landless and poor peasants it means to stand up, throw off the landlords' yoke, and gain land, stock, and houses. Moreover it means to enter a new world and this play is the story of how the peasants of Long Bow build a new world.2 women, 7 men

Forming the first part of the David Hare Trilogy (which also comprises of Murmuring Judges and The Absence of War) Racing Demon focuses on the Church of England. A disparate body, the Church now finds itself attracting unwanted publicity, wracked by the dissension of its members on matters of doctrine and practice and at odds with the government. In this climate the Reverend Lionel Espy and his team of clergymen struggle to make sense of their mission in South London, as the arrival of a zealous young curate intensifies their personal and professional problems.3 women, 8 men

When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England.Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains.In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

Originally published: London: Faber and Faber, 1995.

In David Hare's "greatest play" (City Limits) two sisters, Isobel, a serene and good person, and Marion, an ambitious Tory Junior Minister, gather at the home of their late father for his funeral. Katherine, the sisters' young, alcoholic, stepmother, announces her intention of joining Isobel's design company. Reluctantly Isobel agrees and this act paves the way for tragedy and disaster involving Isobel's lover Irwin, and Marion's evangelical, earnest husband Tom.-4 women, 2 men

This play ran at the National Theatre, London, throughout 1978 and the New York production in the autumn of 1982 was equally well received. In counterpointing the experiences of an Englishwoman helping the French Resistance during the war with her life in the following twenty years, the author offers a unique view of postwar history, as well as making a powerful statement about changing values and the collapse of ideals embodied in a single life.Plenty is also a major film produced by Edward R. Pressman and Joseph Papp with Mark Seiler as Executive Producer, and directed by Fred Schepisi from a screenplay by David Hare. The cast, headed by double Oscar-winner Meryl Streep, includes Charles Dance, Tracy Ullman, John Gielgud, Sting, Ian McKellen and Sam Neill.

Do you want to be happier? Find inner calm? Enjoy a rich and rewarding life? Here's how... The Buddha in Me, the Buddha in You combines the tried-and-tested wisdom of Nichiren Buddhism with the best of popular psychology and personal development, making this a brilliant guide to how life works, and how to get the most from it. Nichiren Buddhism differs from other Buddhist schools in its focus on the here-and-now, and places great importance on individual growth as the starting point for a better world. This, combined with powerful techniques such as NLP, mindfulness, journalling and coaching, makes The Buddha in Me, the Buddha in You the quintessential handbook for happiness.'Buddha' simply means someone who is awakened - yet while Nichiren Buddhists will find fascinating insights into their practice, there is no need to follow a spiritual path to benefit from this book. Through his experience as an internationally acclaimed life coach and practising Buddhist, author David Hare shows us how to wake up to our own potential and that of those around us to discover everyday enlightenment.

The Absence of War offers a meditation on the classic problems of leadership, and is the third part of a critically acclaimed trilogy of plays (Racing Demon, Murmuring Judges) about British institutions.Its unsparing portrait of a Labour Party torn between past principles and future prosperity, and of a deeply sympathetic leader doomed to failure, made the play hugely controversial and prophetic when it was first presented at the National Theatre, London, in 1993.

It's not just that rich people don't know what they've got. They don't even know what they throw away. India is beginning to prosper. But beyond the luxury hotels surrounding Mumbai airport is an obstacle, amakeshift slum. It's home to foul mouthed Zehrunisa and her garbage sorting son Abdul, entrepreneurs both. Sunil, twelve, picks plastic. Manju, schoolteacher, hopes to be the settlement's first woman to gain a degree. Asha, go-to woman, exploits every scam to become a first-class person. And Fatima, One Leg, is about to make an accusation that will destroy herself and shatter the neighbourhood. Katherine Boo spent three years under the flight-path, recording the lives of Annawadi's diverse inhabitants. Now from Boo's book, which won the National Book Award for Non-Fiction in 2012, David Hare has fashioned an epic play for the stage which details the ingenious and sometimes violent ways in which the poor and disadvantaged negotiate with corruption to seek a handhold on capitalism's lowest rungs.David Hare's stage adaptation of Behind the Beautiful Forevers premiered at the National Theatre, London, in November 2014.

In 1997 the 50-year-old playwright David Hare decided to visit the 50-year-old state of Israel and write a play - Via Dolorosa - about the conflict. He then chose to become the actor of his own play and set about learning to act the monologue for an uninterrupted 95 minutes on stage. Acting Up is a diary of the ups and downs of that learning curve as well as an insight into what it is actors, directors, producers and stage staff actually do in rehearsals. Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his terrifying change of career, but also grapples with more serious questions about the nature of acting itself.

John Blakemore is a solitary boy who finds it impossible either to understand or adapt to the ways of the school. His adolescent earnestness put off teacher and pupil alike. And now suddenly he seems to be in danger of losing his only friend.David Hare's emotional new play, written at the invitation of the Rattigan estate as a response to The Browning Version, is a meditation on faith, learning and teenage friendship, played against the backdrop of a Britain still fighting to maintain an established rule.Collected with South Downs is the text of Hare's lecture Mere Fact, Mere Fiction, delivered to the Royal Society of Literature in 2010. In a famous defence of documentary theatre, the author celebrates the power of metaphor to transform factual quite as much as fictional material.

Oscar Wilde's philosophy leads him on a path to destruction. The Judas Kiss describes two pivotal moments: the day Wilde decides to stay in England and face imprisonment, and the night when the lover for whom he risked everything betrays him.With a burning sense of outrage, David Hare presents the consequences of an uncompromisingly moral position in a world defined by fear and conformity.Originally produced in the West End and on Broadway, this new edition coincides with a 2012 revival.'Superbly written... Hare has taken a history and pieced it together with heroic grace... Vastly rich, sophisticated and heartbreaking.' Time Out, New York

On 15 September 2008, capitalism came to a grinding halt. As sub-prime mortgages and toxic securities continued to dominate the headlines well into 2009, this spring the National Theatre asked David Hare to write an urgent and immediate work to be staged this autumn that sought to find out what had happened, and why.Capitalism works when greed and fear are in the correct balance. This time they got out of balance. Too much greed, not enough fear. Meeting with many of the key players from the financial world, David Hare, author of The Permanent Way and Stuff Happens, has created The Power of Yes: a compelling narrative, as enlightening as it is entertaining.It's like a ship which you're being told is in apple-pie order, the decks are cleaned, the metal is burnished, the only thing nobody mentions, it's being driven at full speed towards an iceberg.Not so much a play as a jaw-dropping account of how, as the banks went bust, capitalism was replaced by a socialism that bailed out the rich alone.The Power of Yes opened at the National Theatre, London, in September 2009.

Berlin/WallIn two contrasted readings for the stage, David Hare visits a place where a famous wall has come down; then another where a wall is going up.BerlinFor his whole adult life, David Hare has been visiting the city which so many young people regard as the most exciting in Europe. But there's something in Berlin's elusive character that makes him feel he's always missing the point. Now, to celebrate the twentieth anniversary of the reunification, he offers a meditation about Germany's restored capital - both what it represents in European history, and the peculiar part it has played in his own life.WallThe Israeli/Palestine security fence will one day stretch 486 miles, from one end of Israel to the other. It will be four times as long as the Berlin wall, and in places twice as high. In this second monologue, the playwright recalls his trips to both Israel and the Palestinian territory and offers a history of the wall's building, an exploration of the philosophy behind it and a personal account of those who live on either side. Berlin premiered at the National Theatre, London, in February 2009 and Wall premiered at the Royal Court Theatre, London, in March 2009.'Of all British dramatists, Hare is the one who has always seemed to have the sharpest awareness of what is going on around him, which is what makes him such an eagerly sought-after journalist.' Michael Billington