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Cold logic held his attention. Recording specifics gave him a sense of belonging that nothing else did. As he wrote, he grew less and less emotional. A change of heart prompts one man to reevaluate the life he thought he knew in David Hecker's contemplative debut, Strangers Before the Bench. George Schwartz prides himself on his job as an Immigration Naturalization Service Hearing judge. Working in Seattle, he has gained a reputation as a "fences up" judge, meaning that immigrants who appear before him on even the slightest infraction can count on being deported. Schwartz has no doubt that he is doing things the American way. But all that changes when Schwartz discovers that his ancestors from Central Europe had suffered greatly at the hands of officials who acted much like Schwartz himself. This discovery, along with his budding romance with a candid reporter, forces Schwartz to rethink his stance. Hecker's thoughtful prose perfectly captures Schwartz's stunning transformation into a judge who advocates for immigrants' rights. But as pressure mounts from other INS judges and prosecutors, will Schwartz find the strength to fight back?
"David Hecker's Dream World is a magic carpet ride with poets and artists. Through illuminating landscapes, enjoy Whirling Dervishes dancing to drums and string instruments, along with his tribute to Pablo Neruda's La Chascona, 'The sections of his home were like the stanzas of a poem.' Of Denise Levertov, he writes 'We both laughed when I told her I was a "retired" catholic, a faith she had just joined.'"-Sue Hylen"David Hecker's Dream World transports readers to landscapes both far away and close to home, across the borders of territory, time, and the heart. Images illuminate and reflect the poet's experiences and those of the characters who inhabit these poems, leaving us homesick for places we may have never been."-Kristen Gard Hotchkiss
“Like a well-traveled rucksack, this collection speaks of journeys, the poet animmigrant setting out from the home country of his imagination. Each poem servesas a vehicle and destination, and the scattered outposts—Iceland, the Dakotas, theQuinault River, Andalusia—lay their claims to portions of the poet’s character,memory, heritage. As well, we find our own homes in the reading.”—John Willson, Pushcart Prize winner and author of The Son We Had“Evocative poems beckon one to follow in his footsteps through the territoriesof youth and age, across the varied landscapes of Puget sound, Dakota prairies,and Iceland. Along the way, artfully rendered images capture the spirits of thecharacters who inhabit these poems, offering thoughtful reflection on the heartand human experience.—Kristen Gard Hotchkiss, Bainbridge Island poet
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