Bøger af David Luhrssen

Explore the defining musical artists and moments of the punk rock and new wave eras - one of the most transformative times in rock and roll history. This encyclopedia makes the case for punk rock's enduring social and cultural importance from 1975, when punk was born in New York City, through 1985, by which time punk and new wave had changed the rock music industry forever. Their introduction of new forms of rebellious, boundary-redefining musical expression reverberated with new generations of listeners, singers, and musicians.The encyclopedia covers notable recording acts whose debut albums were released from 1975 through 1985. Coverage encompasses superstars (U2, Duran Duran), historically foundational acts (Sex Pistols, Ramones) and cult bands that amassed a significant legacy of recordings (Violent Femmes, X). Covering discography highlights and touring controversies alike, this resource covers all the reference bases for understanding the most influential and electrifying bands of this era. Coverage is further supplemented with entries on a wide assortment of musical trends and side topics associated with punk rock and new wave music.

Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans.More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights-and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance.The book covers rock artists who emerged or came to prominence in the period ranging 1965-1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it-an artistic peak from which most of contemporary rock has descended.

This book presents the Great Depression through the lens of 13 films, beginning with movies made during the Depression and ending with films from the 21st century, and encourages readers to examine the various depictions of this period throughout history.The Great Depression on Film is a unique guide to how the Great Depression was represented and is remembered, making it an excellent resource for students or anyone interested in film history or U.S. history. Each film is set in a different sector of American life, focusing on such topics as white supremacy, political protest, segregation, environmental degradation, crime, religion, the class system, and popular culture in the U.S. during the 1930s.This book is indispensable for clearing away misconceptions fostered by the movies while acknowledging the power of film in shaping public memory. The book separates fact from fiction, detailing where the movies are accurate and where they depart from reality, and places them in the larger context of historical and social events. Eyewitness or journalistic accounts are referenced and quoted in the text to help readers differentiate between ideas, attitudes, and events presented in the films, as well as the historical facts which inspired those films.

Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans.More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights-and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance.The book covers rock artists who emerged or came to prominence in the period ranging 1965-1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it-an artistic peak from which most of contemporary rock has descended.

Americans are fascinated by secret societies and have devoured exaggerated claims for their influence. At the same time, scholarly assessments of covert groups that have shaped American social, cultural, and political history have often undervalued their role or even questioned their existence.This survey challenges both the exaggerators and the deniers. Freemasons? They may not be the hidden rulers of the world, but a significant number of America's founders were Masons. The Know Nothings? Two American presidents joined the movement. The Bohemian Grove? Republican politicians and corporate leaders really did engage in strange behavior under the redwood trees through the 20th century.Revealing fascinating facts about some of the most talked-about covert societies, including the Mafia, the Skull and Bones and the Ku Klux Klan, Secret Societies and Clubs in American History exposes the truth about the subcultures that made their mark on some of the most important events in the nation's history and contributed to the shaping of the country itself.

An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "e;method"e; acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983.In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.

Public interest in Adolf Hitler and all aspects of the Third Reich continues to grow as new generations ponder the moral questions surrounding Nazi Germany and its historical legacy.