Bøger af David Montero

"In his timely historical work The Stolen Wealth of Slavery, Emmy Award-nominated journalist David Montero follows the trail of the massive wealth amassed from the transatlantic slave trade by Northern corporations in America. It has long been maintained by many that the North wasn't complicit in the horrors of slavery, that the forced bondage and exploitation of Black people was primarily a Southern phenomenon. Yet this isn't true: In fact, popular Northern banks-including well-known institutions like Citibank, Bank of New York, and Bank of America-saw their fortunes rise dramatically from their involvement in the slave trade. White business leaders and their surrounding communities created humongous wealth from the abject misery of others. Stolen Wealth of Slavery grapples with other facts that will be a revelation to many: Most white Southern enslavers were not rolling around in wealth and were barely making ends meet, with Northern businesses benefitting the most from bondage-based profits. And some of the very Northerners who would be considered pro-Union during the Civil War were in fact anti-abolition, seeing the institution of slavery as being in their best financial interests and only supporting the Union once they realized doing so would be good for business. Over time, the wealth generated from slavery didn't vanish but became part of the bedrock of the growth of modern corporations, helping to transform America into a global economic behemoth. Montero elegantly and meticulously details rampant Northern investment in slavery, ultimately calling for corporate reparations as he details contemporary movements to hold companies accountable for past atrocities. He has produced a remarkable work that ends in a call for reparations, showcasing exactly what was stolen, who stole it, and to whom it is owed"--

The essay film - 'a form that thinks' - serves to create a self-reflexive space for contemporary society by challenging expectations and demanding the creative involvement of the spectator. Using film to provoke thought has never been more important than now, when non-fiction films are gaining in popularity and playing a growing part in debates about culture and politics. This timely publication argues that the appeal of the essay film lies primarily in the dialogic engagement with the spectator and the richness of the intellectual and artistic debate it stimulates. The book focuses on the work of three key European film directors associated with the essay film: Chris Marker, Harun Farocki and Jose Luis Guerin. It provides a detailed analysis of several films by each director, exploring the relationship between dialogism and essayism in their work and placing this in the wider context of debates on the cinematic essay as a genre. Central aspects of essayistic filmmaking are explored, including its radical approach to knowledge, its distinctive patterns of subjectivity, its challenging of the formal representation of reality, and its contribution to new understandings of spectatorship. Written with clarity and perception, this volume offers new insights into the rise of the non-fiction film and the essay film, in particular.