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Given the U.S.A.'s long held "taste for the monstrous in all its forms" (Scott Poole 4) coupled with its love for "the colossal, the exaggerated and the brash" (Tsutsi 166) it is not surprising that the giant monster movie has long been a key part of the nation's cinematic landscape, yet up until recently the genre had been largely neglected by scholars. The U.S. Giant Monster Movie: Size Does Matter addresses this gap, providing a richly detailed and compelling critical account of this vital but often overlooked instance of popular cinema. Using Mikhail Bakhtin's theories of the carnivalesque to help inform a discussion of examples such as The Lost World (1925) and King Kong (1933), up to the latest CGI blockbusters including Cloverfield (2008), Pacific Rim (2013) and Godzilla vs Kong (2021), the book charts chronological developments in the form; examines its' wide-ranging thematic concerns; and explores the reasons for the U.S. giant monster movie's continuing commercial success.This comprehensive study will appeal to those with an interest in Film Studies, American Studies, popular cinema and culture, as well as anyone who wants to know more about this most spectacular and often subversive of genres.
"Save the Westside, save the world">With a body full of ionized cells, expensive medicine that Medicaid won't cover, and a time-sensitive placement at a halfway house for critically injured felons, can Worm save the city, again, without violating the terms of his probation?" "Visceral and grounded, but with a kind of ineffable strangeness wound into it. Simmons is carving out a space that feels specifically his own." - Brian Evenson Ghosts of West Baltimore is the sequel to Ghosts of East Baltimore (Broken River Books - 2022)
Tom Perkins has a life. One that's safe, straight forward and predictable - until he decides to attend a school reunion in a London pub. Soon Tom's pleasant but dull bachelor universe is turned upside down as he becomes embroiled in a world of intrigue, globetrotting and exploding chickens. Drawn to the vivacious yet unfathomable Jo Richards, and forced to rub shoulders with arms-dealing diamond traders, murderous double agents and the higher echelons of the Civil Service, Tom is out of his depth. In fact, the only thing that stands between him and certain death is a crazed aunt who keeps an arms cache where her vacuum cleaner should be.
Covers popular TV genres of sci fi and horror, and their cult series.
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