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Discusses a variety of issues involved in the performance of keyboard music from the seventeenth to the nineteenth centuries. Forms a useful introduction to historical performance issues for student performers or amateurs, whether playing on period instruments or on the modern piano.
David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. He examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano.
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