Bøger af David Wengrow

Altings begyndelse er en radikalt anderledes tolkning af menneskehedens historie, som udfordrer vores mest grundlæggende antagelser om, hvordan samfund og stater har udviklet sig siden istiden. Med en ny forståelse af, hvorfor man begyndte at dyrke landbrug og flytte sammen i byer, og hvordan der opstod stater, demokratier og ulighed, afdækker bogen også nye muligheder for, hvordan mennesket kan blive friere. Altings begyndelse forandrer grundlæggende vores forståelse af menneskehedens fortid og viser os en vej frem mod nye former for frihed, og nye måder at indrette samfundet på. Dette er et monumentalt værk med et imponerende intellektuelt vingefang, drevet af nysgerrighed, etik og tro på menneskets muligheder.

What is the status and role of image systems in human culture and history? This volume presents original studies examining the complex interplay between images, thought processes, and the making of social worlds from the pre-Columbian Americas to the ancient Mediterranean and early China. Moving beyond a notion of images as "merely illustrative" of propositions expressed in language or writing these studies draw insights from the civilisations of Amazonia, Oceania, and Central Africa to reveal the autonomy of image systems as intellectual devices in their own right, and their enduring role in the development of human societies across the traditional divide of "oral" and "literate" cultures.

It has often been claimed that "e;monsters"e;--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "e;monsters"e; became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.