Bøger af D.C. Schindler

The Perfection of Freedom seeks to respond to the impoverished conventional notion of freedom through a recovery of an understanding rich with possibilities yet all but forgotten in contemporary thought. This understanding, developed in different but complementary ways by the German thinkers Schiller, Schelling, and Hegel, connects freedom, not exclusively with power and possibility, but rather, most fundamentally, with completion, wholeness, and actuality. What is unique here is specifically the interpretation of freedom in terms of form, whether it be aesthetic form (Schiller), organic form (Schelling), or social form (Hegel). Although this book presents serious criticisms of the three philosophers, it shows that they open new avenues for reflection on the notion of freedom; avenues that promise to overcome many of the dichotomies that continue to haunt contemporary thought - for example, between freedom and order, freedom and nature, and self and other. The Perfection of Freedom offers not only a significantly new interpretation of Schiller, Schelling, and Hegel, but also proposes a modernity more organically rooted in the ancient and classical Christian worlds.

Plato's Critique of Impure Reason offers a dramatic interpretation of the Republic, at the center of which lies a novel reading of the historical person of Socrates as the "real image" of the good. Schindler argues that a full response to the attack on reason introduced by Thrasymachus at the dialogue's outset awaits the revelation of goodness as the cause of truth. This revelation is needed because the good is what enables the mind to know and makes things knowable. When we read Socrates' display of the good against the horizon of the challenges posed by sophistry, otherwise disparate aspects of Plato's masterpiece turn out to play essential roles in the production of an integrated whole. In this book, D. C. Schindler begins with a diagnosis of the crisis of reason in contemporary culture as a background to the study of the Republic. He then sets out a philosophical interpretation of the dialogue in five chapters: an analysis of Book 1 that shows the inherent violence and dogmatism of skepticism; a reading of goodness as cause of both being and appearance; a discussion of the dramatic reversals in the images Socrates uses for the idea of the good; an exploration of the role of the person of Socrates in the Republic; and a confrontation between the "defenselessness" of philosophy and the violence of sophistry. Finally, in a substantial coda, the book presents a new interpretation of the old quarrel between philosophy and art through an analysis of Book 10. Though based on a close reading of the text, Plato's Critique of Impure Reason always interprets the arguments with a view to fundamental human problems, and so will be valuable not only to Plato scholars but to any reader with general philosophical interests.