Bøger af Deborah Bird Rose

The recent 10,000 year history of climatic stability on Earth that enabled the rise of agriculture and domestication, the growth of cities, numerous technological revolutions, and the emergence of modernity is now over. We accept that in the latest phase of this era, modernity is unmaking the stability that enabled its emergence. But we are deeply worried that current responses to this challeng are focused on market-driven solutions and thus have the potential to further endanger our collective commons. Today public debate is polarized. On one hand we are confronted with the immobilizing effects of knowing "the facts" about climate change. On the other we see a powerful will to ignorance and the effects of a pernicious collaboration between climate change skeptics and industry stakeholders. Clearly, to us, the current crisis calls for new ways of thinking and producing knowledge. Our collective inclination has been to go on in an experimental and exploratory mode, in which we refuse to foreclose on options or jump too quickly to "solutions."In this spirit we feel the need to acknowledge the tragedy of anthropogenic climate change. It is important to tap into the emotional richness of grief about extinction and loss without getting stuck on the "blame game." Our research must allow for the expression of grief and mourning for what has been and is daily being lost. But it is important to adopt a reparative rather than a purely critical stance toward knowing. Might it be possible to welcome the pain of "knowing" if it led to different ways of working with non-human others, recognizing a confluence of desire across the human/non-human divide and the vital rhythms that animate the world?We think that we can work against singular and global representations of "the problem" in the face of which any small, multiple, place-based action is rendered hopeless. We can choose to read for difference rather than dominance; think connectivity rather than hyper-separation; look for multiplicity - multiple climate changes, multiple ways of living with earth others. We can find ways forward in what is already being done in the here and now; attend to the performative effects of any analysis; tell stories in a hopeful and open way - allowing for the possibility that life is dormant rather than dead. We can use our critical capacities to recover our rich traditions of counter-culture and theorize them outside the mainstream/alternative binary. All these ways of thinking and researching give rise to new strategies for going forward.TABLE OF CONTENTSPart I. Thinking with Others // The Ecological Humanities (Deborah Bird Rose) -- Economy as Ecological Livelihood (J.K. Gibson-Graham and Ethan Miller) -- Lives in Connection (Jessica K. Weir) -- Conviviality as an Ethic of Care in the City (Ruth Fincher and Kurt Iveson) -- Risking Attachment in the Anthropocene (Lesley Instone) -- Strategia: Thinking with or Accommodating the World (Freya Mathews) -- Contact Improvisation: Dance with the Earth Body You Have (Kate Rigby)Part II. Stories Shared // Vulture Stories: Narrative and Conservation (Thom van Dooren) -- Learning to be Affected by Earth Others (Gerda Roelvink) -- The Waterhole Project: Locating Resilience (George Main) -- Food Connect(s) (Jenny Cameron and Robert Pekin) -- Graffiti is Life (Kurt Iveson) -- Flying Foxes in Sydney (Deborah Bird Rose) -- Earth as Ethic (Freya Mathews)Part III. Researching Differently // On Experimentation (Jenny Cameron) -- Reading for Difference (J.K. Gibson-Graham) -- Listening: Research as an Act of Mindfulness (Kumi Kato) -- Deep Mapping Connections to Country (Margaret Somerville) -- The Human Condition in the Anthropocene (Anna Yeatman) -- Dialogue (Deborah Bird Rose) -- Walking as Respectful Wayfinding in an Uncertain Age (Lesley Instone)

Dislocating the Frontier takes a critical approach to the frontier imagination in Australia. The authors of this book work with frontier theory in comparative and unsettling modes.

Explores some of Australia's major ethical challenges. Written in the midst of rapid social and environmental change and in a time of uncertainty and division, this work offers stories and arguments for ethical choice and commitment. It focusses on reconciliation, between indigenous and 'Settler' peoples, and with nature.

We are living in the midst of the Earth's sixth great extinction event, the first one caused by a single species: our own. In Wild Dog Dreaming, Deborah Bird Rose explores what constitutes an ethical relationship with nonhuman others in this era of loss. She asks, Who are we, as a species? How do we fit into the Earth's systems? Amidst so much change, how do we find our way into new stories to guide us? Rose explores these questions in the form of a dialogue between science and the humanities. Drawing on her conversations with Aboriginal people, for whom questions of extinction are up-close and very personal, Rose develops a mode of exposition that is dialogical, philosophical, and open-ended.An inspiration for Rose-and a touchstone throughout her book-is the endangered dingo of Australia. The dingo is not the first animal to face extinction, but its story is particularly disturbing because the threat to its future is being actively engineered by humans. The brazenness with which the dingo is being wiped out sheds valuable, and chilling, light on the likely fate of countless other animal and plant species."e;People save what they love,"e; observed Michael Soul the great conservation biologist. We must ask whether we, as humans, are capable of loving-and therefore capable of caring for-the animals and plants that are disappearing in a cascade of extinctions. Wild Dog Dreaming engages this question, and the result is a bold account of the entangled ethics of love, contingency, and desire.