Bøger af Dermot Healy

"Originally co-published in 1984 by Allison & Busby and Brandon Books; a second edition was published in 1986 by Allison & Busby" -- Verso title page.

Like many of the great Irish writers before him, Dermot Healy first announced himself as a writer of intricate and innovative short stories. Healy¿s stories are set in small-town Ireland and its rural environs, and in the equally suffocating confines of the Irish expat communities in London. Throughout these texts, Healy demonstrates a deep sense of compassion towards the marginalized and the dispossessed, without ever becoming sentimental or clichéd. The language is earthy and imagistic by turn, and he continually seeks to extend the formal boundaries of the genre.Gathering all of Healy¿s stories together for the first time, this collection includes the long prose-drama ¿Before the Off¿ and Healy¿s final short works, ¿Along the Lines¿ and ¿Images.¿

Although Dermot Healy (1947-2014) is probably best known as a novelist and poet, he was also a prolific playwright, screenwriter, and actor. Healy's interest in drama was long-standing, and was central to his development as a writer. Between 1985 and 2010 he wrote thirteen stage plays, all of which are gathered here for the first time.

One day, years after he's moved away from his childhood home in rural Ireland, Dermot Healy returns to care for his ailing mother. Out of the blue she hands him the forgotten diary he had kept as a fifteen-year-old. He is amazed to find the makings of the writer he has become, as well as taken aback at the changes his memory has wrought. The silhouettes who have haunted his past come back to inhabit his pages: his father, a kind policeman who plays cards and drinks stout with his cronies; his mother, whose stories young Dermot has heard so often that he believes they are his own; or Aunt Maisie, whose early disappointment in love has left her both dreamy and cynical. Funny, direct and moving, The Bend For Home is a family portrait like no other, and a hugely engaging account of a childhood in small-town Ireland.

Ollie Ewing has forgotten the thing that tells him who he is. The hero of Dermott Healey's Sudden Times has returned to Sligo to recover from "e;a few experiences"e; in London by laying low and listening to "e;complaints and sermons, jibes and asides"e; in his own head. Men are after him. A crowd of them. Or maybe not. He's in hiding, mostly from his own shame. His brother Redmond and his best friend Marty are dead. It seems as though Marty died in a labouring accident but as snippets of Ollie's scatty recollections cohere, it becomes apparent that Marty was murdered, left in the back of a lorry, in a pile of charred bones. Redmond too, was flown home from Luton in a coffin and it isn't until much later in the novel that the details of his manslaughter are revealed. The deaths haunt Ollie and people in the town can see the danger in his eyes. His attempts to reintegrate socially and mentally are slack, confused, painful and absurdly funny. He shifts from job to job, finally getting routine and acceptance as a trolley check-out in Doyle's supermarket. "e;You have to break out before you can learn the laws of the tribe. And you have to break inside before you can learn your true nature."e; Ollie is often uncertain of time or place and dislocation overtakes him without warning, throwing the narrative back to London, forward to France, while Ollie is too frightened to move far at all.