Bøger af Diana English

This book is for the developing guitarist wishing to acquire a grasp of the linear or melodic expression of chord sounds. The material presented here applies to every player wishing to improvise and expand their understanding. The serious student will develop a working knowledge of common sounds and fingerings that are functional from a musical and technical perspective. Think of the arpeggio as a moveable melodic representation of a chord that doesn't lock your hand into chordal forms but instead allows for individual note choices that express harmonies. This approach to a linear expression of chord voicings will lead to defining the harmony of the chosen song material and will provide countless harmonic, melodic and creative variations, no matter what the style. Remember that learning new sounds requires building an understanding of how they are used idiomatically. Notes work when they sound right in musical context - be sensitive to the "stylistic" potential of what you are learning. Develop your own phrases, inventions, and ideas while using arpeggio forms as sonic templates for the development of horizontal line informed by chordal thinking.Improvisation is about deconstructing and reconstructing. Stick to the basic concepts of "chords come from scales" and "arpeggios come from chords" and organize those sonic ideas on the fretboard.