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Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology contains the best ghost stories from the last half of the 19th century. It includes shocking tales from popular American and Victorian authors including: Bram Stoker, M. R. James, Joseph Le Fanu, Charles Dickens, Elizabeth Nesbit, and Francis Marion Crawford.Andrew Barger, award-winning author and editor of The Divine Dantes trilogy, has now researched the finest ghost stories for the last half of the nineteenth century and combined them in one haunting collection. He has added his familiar scholarly touch by annotating the stories, providing story background information, author photos and a list of ghost stories considered to settle on the most frightening and well-written tales. Victorians: Victors of the Ghost Story (2016) by Andrew Barger - Andrew sets the stage for this haunting ghost anthology.The Upper Berth (1886) by Francis Marion Crawford - You will never think of cruising on a ship the same way after reading "The Upper Berth".In Kropfsberg Keep (1895) by Ralph Adams Cram - A gothic setting yields a nightmare for a couple of "ghost hunters".Lost Hearts (1895) by M. R. James - This early M. R. James classic ghost story is one of his best.The Familiar (1872) by Joseph Le Fanu - Ever feel like you are being watched?The Haunted Organist of Hurly Burly (1886) by Rosa Mulholland - You will never view an organ the same way again.No. 1 Branch Line: The Signal Man (1865) by Charles Dickens - Are the nervous habits of a train tracks operator all in his mind?Hurst of Hurstcote (1893) by Edith Nesbit - A moldering house and--of course--ghosts.The Judge's House (1891) by Bram Stoker - The author of Dracula never disappoints.The Yellow Sign (1895) by Robert Chambers - A painter sees someone watching him from a busy New York street.The Haunted and the Haunters (1859) by Edward Bulwer-Lytton - The oldest and most haunting ghost short story in the anthology. I am deeply and horribly convinced, that there does exist beyond this a spiritual world-a system whose workings are generally in mercy hidden from us-a system which may be, and which is sometimes, partially and terribly revealed."The Familiar" 1872byJoseph Sheridan Le Fanu
Chiltern are publishers of beautifully crafted editions of the World's finest literature. Now these extraordinary and unique cover designs have evolved from classic titles into exquisite, handcrafted writing journals of a high art form. Put simply: they are the finest writing journals on the market today. Blank paper version. Ruled paper version also available. This notebook matches the Chiltern 'Great Expectations' classic (sold separately). They make a great gift when paired together but are also just as beautiful on their own.
Chiltern are publishers of beautifully crafted editions of the World's finest literature. Now these extraordinary and unique cover designs have evolved from classic titles into exquisite, handcrafted writing journals of a high art form. Put simply: they are the finest writing journals on the market today. Ruled paper version. Blank paper version also available. This notebook matches the Chiltern 'Great Expectations' classic (sold separately). They make a great gift when paired together but are also just as beautiful on their own.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
On Christmas Eve, around 1812, Pip, an orphan who is about six years old, encounters an escaped convict in the village churchyard while visiting the graves of his mother, father, and siblings. The convict scares Pip into stealing food and a file to grind away his shackles, from the home he shares with his abusive older sister and her kind, passive husband Joe Gargery, a blacksmith. The next day, soldiers recapture the convict while he is engaged in a fight with another convict; the two are returned to the prison ships from which they escaped. Miss Havisham asks Pip's uncle to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, with Miss Havisham's encouragement. Later, when Pip is a young apprentice at Joe's blacksmith shop, a lawyer, Mr. Jaggers, approaches him and tells him he is to receive a large sum of money from an anonymous benefactor and must immediately leave for London, where he is to become a gentleman...
Charles Dickens’s tenth novel, which was first published serially in Dickens’s own periodical journal “Household Words” in 1854, “Hard Times,” is a work that sought to highlight the social and economic divide that was growing between capitalistic mill owners and workers during the Victorian era of Great Britain. Set in the fictitious Coketown, “Hard Times” is a critical examination of the poor working conditions in many English factory towns of the time as well as the changing nature of the aristocracy and the working-class in the second half of the 19th century. The novel centers on the lives of Thomas Gradgrind, senior, the superintendent of the local school, his children, Louisa and Thomas, junior, and Sissy Jupe, a free-spirited circus girl who struggles to fit in as a student under the rigidly utilitarian instruction of the Gradgrind school. Through the lives of Gradgrind’s children, Dickens’s seeks to criticize the failure of excessively utilitarian philosophy which was so prevalent during his time. As Louisa finds herself in an unhappy marriage and Thomas, junior, descends into a life of moral corruption, their father begins to realize the shortcomings of the philosophy that he has so rigidly applied in raising them. This edition is printed on premium acid-free paper and includes an introduction by Edwin Percy Whipple.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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