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Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America's transnational auteurs.
This book is an authoritative account of the career of Emilio Fernandez, (1906-1986), one of Mexico's and Latin America's most successful and significant directors. It challenges assumptions about classical Mexican cinema and offers new, detailed textual analyses of Fernandez' most significant films (Enamorada, Rio Escondido, Maria Candelaria). -- .
This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region's transnationalized filmmaking, using textual analysis and industrial case studies.
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