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An in-depth history of animation from 1898-1928 that includes accounts of mechanical ingenuity, marketing and art. The text explains techniques of sketching and camera work, and discusses the styles of such animators as Winsor McCay and Ladislas Starevitch, placing work in its social and economic context.
Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. This book proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons.
Offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. Donald Crafton presents a panoramic view of the talkies' reception as well as an in-depth look at sound design in selected films, amongst other issues.
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