Bøger af Donald Phillip Verene

The inscription on the Temple of Apollo at Delphi, Gnothi seauton (Know thyself), is taken up by Socrates and pursued as the center of philosophy. Self-knowledge is the theme that endures throughout the history of philosophy. It is a theme that philosophy shares with literature. We know ourselves to be human, but the question remains as to what it means to be human. What we are is a metaphysical and ethical problem. Satire shows us how others see us. Memory, the mother of the Muses, gives us access to see ourselves as we have been, are now, and may be in the future. This work considers the idea of satire through the writings of Aristophanes, Lucian, Erasmus, Rabelais, Swift, Voltaire, and Joyce. It examines the nature of memory in terms of the views of Hesiod, Plato, Aristotle, Camillo, Vico, Hegel, and Joyce. Attention to Joyce in both instances is to Finnegans Wake. The author invites readers to take up the question of self-knowledge, to pursue it further in their own terms and sources.

The philosophic spirit has persisted as part of the human spirit and human culture for over twenty-five centuries. This book presents examples of this spirit from its beginnings in Greek thought through the modern age. Among these examples are an account of Empedocles jumping into the volcano of Mt. Etna to join the gods, Plato's quarrel with the poets, St. Anselm's famous argument for the existence of God, Descartes's Archimedean proof of his own existence, and Kant's description of the perfect island of the Understanding. Attention is also given to Cassirer's concept of symbolic forms and Whitehead's theory of actual entities. The volume concludes with a discussion, based on the thought of Giambattista Vico, of a way to approach philosophy through a balance between the Ancient and the Moderns.

Philosophy and rhetoric are both old enemies and old friends. In The Rhetorical Sense of Philosophy, Donald Phillip Verene sets out to shift our understanding of the relationship between philosophy and rhetoric from that of separation to one of close association. He outlines how ancient rhetors focused on the impact of language regardless of truth, ancient philosophers utilized language to test truth; and ultimately, this separation of right reasoning from rhetoric has remained intact throughout history. It is time, Verene argues, to reassess this ancient and misunderstood relationship. Verene traces his argument utilizing the writing of ancient and modern authors from Plato and Aristotle to Descartes and Kant; he also explores the quarrel between philosophy and poetry, as well as the nature of speculative philosophy. Verene's argument culminates in a unique analysis of the frontispiece as a rhetorical device in the works of Hobbes, Vico, and Rousseau. Verene bridges the stubborn gap between these two fields, arguing that rhetorical speech both brings philosophical speech into existence and allows it to endure and be understood. The Rhetorical Sense of Philosophy depicts the inevitable intersection between philosophy and rhetoric, powerfully illuminating how a rhetorical sense of philosophy is an attitude of mind that does not separate philosophy from its own use of language.

A full interpretation of Giambattista Vico's thought, based primarily on his major work, the New Science, and on his earlier Latin writings.

Explores how Joyce used the philosophers Nicholas Cusanus, Giordano Bruno, and Giambattista Vico as the basis upon which to write Finnegans Wake. Joyce embraces these philosophic companions to lead him through the underworld of history with all its repetitions and resurrections, oppositions and recombinations.

In The Art of Humane Education, Donald Phillip Verene presents a new statement of the classical and humanist ideals that he believes should guide education in the liberal arts and sciences. These ideals are lost, he contends, in the corporate...

In this original and illuminating work, the reader is invited to approach philosophy as an activity that can instruct, delight, and move. On this view, philosophy can be seen as a key to human education, a mastery of humane letters, and a part of the repulic of the liberal arts. Embracing this approach to philosophy, Verene argues, involves moving beyond modern philosophy's analytical encounter with experience, one that emphasizes argument and criticism at the expense of the Socratic search for self-knowledge. Relying on insights from Vico and Hegel, Verene introduces a new sense of reason, one that sees the True as the whole and that connects reason to the ancient sense of speculation. Reflection and criticism are given their due, but the reorientation of philosophy toward the speculative grasp of the whole of things allows memory, imagination, and dialectical ingenuity to take on philosophical form. In the end, this work show how speculation, symbolic form, metaphor, poetry, and rhetoric are natural parts of philosophical thinking.

This work raises for the contemporary reader the ancient and abiding question of the nature and meaning of human virtue. In Part 1, it draws upon Plato, Aristotle, and Cicero and the works of Renaissance Christian humanists who were influenced by them, such as Pico, Vives, and Erasmus. The moral act guided by the cardinal virtues and the good is seen as the key to human happiness and the formation of character. Character is the basis for the pursuit of self-knowledge, decorum, and dignity, which properly guide human affairs.Part 2 takes up Hegel''s principle of the labor of the negative as applied to three phenomena of modern life: the presence of terrorism, the personality of the psycho-sociopath, and the problems of the technologically dominated life of the modern person. These are the most powerful impediments to the good life in the modern world and pose problems to which the ethical doctrines of utilitarianism and the categorical imperative provide an insufficient response. To confront these phenomena, we are led back to the classical conception of the role of prudence or practical wisdom as the foundation of ethical life.""Verene brings to life the truthfulness of an ancient and constant wisdom, lighting up more perennial perspectives on things human and divine, as well as current ethical perplexities about terrorism, psycho-sociopathy, and the technological person. The work singularly embodies the ideal held in highest regard by Renaissance Italian humanism, and of which Verene himself is a great admirer: ''la sapienza che parla,'' or ''wisdom speaking.''""--William Desmond, Villanova University""Moral Philosophy and the Modern World offers a challenging and original reflection on the nature of morality. Its argument is broadly philosophical and rooted in ancient and Renaissance humanism. It rejects a moral philosophy based on utilitarian or deontological principles, notions of diversity, or social justice and favors a moral philosophy based on prudence and the ideal of justice. . . . It is a provocative read for anyone interested in moral philosophy.""--Victoria Wike, Loyola UniversityDonald Phillip Verene is Charles Howard Candler Professor of Metaphysics and Moral Philosophy and director of the Institute for Vico Studies at Emory University. His previous books include Knowledge of Things Human and Divine (2003), Hegel''s Absolute (2007), Speculative Philosophy (2009), and The Origins of the Philosophy of Symbolic Forms (2011). He has been Visiting Fellow at Oxford University and is Fellow of the Accademia Nazionale dei Lincei, Rome.

The Science of Cookery and the Art of Eating Well is a philosophical and historical reflection on food and dining in human culture. It includes discussions of the nature of the first meals as found in Greek literature and the philosophy of history of Giambattista Vico, the Roman cookbook of Apicius (the first known cookbook), the cookbook of Artusi (the seminal cookbook of Italian cooking), Brillat-Savarin''s Physiology of Taste, Plutarch''s "Dinner of the Seven Wise Men," and Athenaeus'' work on the Learned Banqueters (the Deipnosophists). These discussions are joined with contemporary observations on the importance of the traditions of home cooking and dining with friends as essential to the promotion of human well-being.

This work raises for the contemporary reader the ancient and abiding question of the nature and meaning of human virtue. In Part 1, it draws upon Plato, Aristotle, and Cicero and the works of Renaissance Christian humanists who were influenced by them, such as Pico, Vives, and Erasmus. The moral act guided by the cardinal virtues and the good is seen as the key to human happiness and the formation of character. Character is the basis for the pursuit of self-knowledge, decorum, and dignity, which properly guide human affairs.Part 2 takes up Hegel's principle of the labor of the negative as applied to three phenomena of modern life: the presence of terrorism, the personality of the psycho-sociopath, and the problems of the technologically dominated life of the modern person. These are the most powerful impediments to the good life in the modern world and pose problems to which the ethical doctrines of utilitarianism and the categorical imperative provide an insufficient response. To confront these phenomena, we are led back to the classical conception of the role of prudence or practical wisdom as the foundation of ethical life.

This text contends that both Anglo-American analytic philosophy and continental philosophy have lost their vitality, and it offers an alternative in their place. It advocates a renewal of contemporary philosophy through a return to its origins in Socratic humanism.

Written by the noted Vico scholar Donald Phillip Verene, this commentary can be read as an introduction to Vico's thought or it can be employed as a guide to the comprehension of specific sections of the New Science.

Maintaining that Joyce is the greatest modern "interpreter" of Vico, Verene demonstrates how images from Joyce's work offer keys to Vico's philosophy. Verene presents Vico's philosophical thought as it develops in his major works, with Joyce's words and insights serving as a guide.