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Through photographing singular lighthouses as seen from the opposing coastlines of France and the home nations of the United Kingdom, Belfast-based artist Donovan Wylie confronts the physical barriers and invitations to crossing created by the sea. Immediately following the June 2016 referendum, Wylie began exploring ideas of family dynamics and fractured relationships as a way to understand the United Kingdom's current state. In collaboration with the writer Chris Klatell and the Seamus Heaney Centre, this project responds to Virginia Woolf's To the Lighthouse (1927), which investigates the complexities of seeing, loss and the passage of time. By photographing the afterglow of distant lighthouses to process the tensions and complexities of identity and isolationism, Lighthouse simultaneously represents closeness and distance, interrogating how the isolation of the British landscape contributes to understanding our national identity.
In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers documented the process in audio and video. This title presents all one thousand images, together with commentary by poets, art historians and photo theorists.
Part of the Tower Series, this is the third and final book of photographs on the themes of vision and power in military architecture. Surveying a radar station just inside the Canadian Arctic, it examines the detection of invisible threats through unmanned observation posts in remote regions.
For nearly 30 years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. This book of photographs documents the physical structure of the place and gives the viewer some experience of the psychological impact of being inside the Maze.
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