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Love, Again tells the story of a 65-year-old woman who falls in love and struggles to maintain her sanity. Widowed for many years, with grown children, Sarah is a writer who works in the theater in London. During the production of a play, she falls in love with a seductive young actor, the beautiful and androgynous 28-year-old Bill, and then with the more mature 35-year-old director Henry. Finding herself in a state of longing and desire that she had thought was the province of younger women, Sarah is compelled to explore and examine her own personal history of love, from her earliest childhood desires to her most recent obsessions. The result is a brilliant anatomy of love from a master of human psychology who remains one of the most daring writers of fiction at work today.
"I was born with skins too few. Or they were scrubbed off me by...robust and efficient hands." The experiences absorbed through these "skins too few" are evoked in this memoir of Doris Lessing's childhood and youth as the daughter of a British colonial family in Persia and Southern Rhodesia Honestly and with overwhelming immediacy, Lessing maps the growth of her consciousness, her sexuality, and her politics, offering a rare opportunity to get under her skin and discover the forces that made her one of the most distinguished writers of our time.
A highly personal story of the eminent British writer returning to her African roots that is "brilliant . . . [and] captures the contradictions of a young country."--New York Times Book Review
In this perceptive collection of essays, Doris Lessing addresses directly the prime questions before us all: how to think for ourselves, how to understand what we know, how to pick a path in a world deluged with opinions and information, and how to look at our society and ourselves with fresh eyes.
Boken består av 4 noveller: Bestemødrene, Victoria og familien Staveney, Grunnen til det, og Et kjærlighetsbarn. Den første handler om to bestemødre som forelsker seg i hverandres unge sønner. I den andre fortellingen får en mørkhudet kvinne et barn med sønnen i en liberal middelklassefamilie. Den lille datteren hennes blir gradvis oppslukt av den hvite familiens livsførsel. I den tredje handler det om en eldgammel kultur som oppstår, blomstrer og faller sammen. I den siste fortellingen møter vi en soldat som under den andre verdenskrigen, blir forelsket i løpet av en lang sjøreise til India.
Shocking, intimate, often uncomfortably honest, these stories reaffirm Doris Lessings unequalled ability to capture the truth of the human condition In the title novel, two friends fall in love with each other's teenage sons, and these passions last for years, until the women end them, vowing a respectable old age. InVictoria and the Staveneys, a young woman gives birth to a child of mixed race and struggles with feelings of estrangement as her daughter gets drawn into a world of white privilege.The Reason for Ittraces the birth, faltering, and decline of an ancient culture, with enlightening modern resonances.A Love Childfeatures a World War II soldier who believes he has fathered a love child during a fleeting wartime romance and cannot be convinced otherwise.
A collection of interviews with the winner of the Nobel Prize for Literature that serves as an invaluable companion to her work.Doris Lessing is one of the greatest literary figures of the twentieth and twenty-first centuries. These interviews give us her thoughts on her early years as a communist and fledgling writer in Southern Rhodesia, her views on marriage, the family and feminism, on other writers from Tolstoy to Lawrence, and on her later experiments in psychotherapy and mysticism. She reveals how these preoccupations have influenced her own work, from 'The Golden Notebook' to her acclaimed autobiographical masterpiece 'Under My Skin'.The book is essential reading for anyone who wishes to understand not just Lessing, but also the profound impact she has had on our age.
From the winner of the Nobel Prize for Literature, a compelling account of her return to the land in which she grew up.In 1956, some seven years after departed for England, Doris Lessing returned home to Southern Rhodesia. It was a journey that was both personal - a revisiting of a land and people she knew - and, inevitably, political: Southern Rhodesia was now part of the Central African Federation, where the tensions between colonialism and self-determination were at their most deeply felt.'Going Home' is a book that combines journalism, reportage and memoir, humour, farce and tragedy; a book fired by the love of one of the twentieth century's greatest writers for a country and a continent that she felt compelled to leave.
By turns, an unsparing and joyous account of life in a postwar London rooming house by Doris Lessing, winner of the Nobel Prize for Literature 2007.In 1949, Doris Lessing left her native Southern Africa in search of a grail - a life of glamour and refinement that she naively believed England offered everyone. A fascinating, hilarious memoir of her first impressions of her adopted country, 'In Pursuit of the English' brilliantly captures Lessing's constant wonder at and growing affection for the people she came to know: the working-class of the East End of London. Lusty, quarrelsome, unscrupulous and full-blooded, they were quite unlike the English she had expected to find ...
Doris Lessing's first book after winning the Nobel Prize for Literature revisits her childhood in Southern Africa and the lives, both fictional and factual, that her parents led.'I think my father''s rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.'In this extraordinary book, Doris Lessing explores the lives of her parents, both of them irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother Emily's great love was a doctor who drowned in the Channel, and she spent the war nursing the wounded in the Royal Free Hospital.In the first half of this book, Lessing imagines the lives her parents might have made for themselves had there been no war, a story that has them meeting at a village cricket match as children but leading separate lives. This is followed by a piercing examination of their lives as they actually came to be in the shadow of that war, their move to Rhodesia, a damaged couple hulking over Lessing's childhood in a strange land.'Here I still am,' says Doris Lessing, 'trying to get out from under that monstrous legacy, trying to get free.'
Doris Lessing, winner of the Nobel Prize for Literature, invites us to imagine a mythical society free from sexual intrigue, free from jealousy, free from petty rivalries: a society free from men.An old Roman senator embarks on what may be his last endeavour: the retelling of the story of human creation. He recounts the history of the Clefts, an ancient community of women living in an Edenic, coastal wilderness, in the valley of an overshadowing mountain. The Clefts have no need, or knowledge, of men - childbirth is controlled through the cycles of the moon, and their children are always female. But with the birth of a strange, new child - a boy - the harmony of their community is thrown into jeopardy.At first, the Clefts are awestruck by this seemingly malformed child, but as more and more of these threateningly unfamiliar males appear, they are rejected, and are exposed on the nearby mountainside, sacrificed to the patrolling eagles overhead. Unbeknownst to the Clefts, however, these baby males survive, aided by the eagles, and thrive on the other side of the mountain. It is not until a curious young Cleft named Maire goes beyond the geographical, and emotional, divide of the mountain that this disquieting fact is uncovered - forcing the Clefts to accept the prospect of a now shared world, and the possible vengeance of the wronged males.In this fascinating and beguiling novel, Lessing confronts head-on the themes that inspired much of her early writing: how men and women, two similar and yet thoroughly distinct creatures, manage to live side by side in the world, and how the specifics of gender affect every aspect of our existence.
A fascinating novel of love and ecology from the winner of the Nobel Prize for Literature.Doris Lessing returns to the world of visionary fiction, first visited in her Canopus in Argos quintet of novels in the 1980s, and in 'Mara and Dann', to which this is a sequel, in 1999.The Earth's climate has changed - it is colder than ever before - and Dann, four in the first book, is now grown up and a general, and the man to whom everyone looks for guidance and leadership.Lessing's novel charts his adventures across the frozen wastes of the north, a journey that will eventually lead to the discovery of a secret library.
As resonant with social and political themes as Lessing's masterpiece 'The Golden Notebook', 'The Diaries of Jane Somers' sees the author returns to the realism of her early fiction with the wisdom and experience of maturity.The diaries introduce us to Jane, an intelligent and beautiful magazine editor concerned with success, clothes and comfort. But her real inadequacy is highlighted when first her husband, then her mother, die from cancer and Jane feels strangely disconnected. In an attempt to fill this void, she befriends ninety-something Maudie, whose poverty and squalor contrast so radically with the glamour and luxury of the magazine world. The two gradually come to depend on each other - Maudie delighting Jane with tales of London in the 1920s and Jane trying to care for the rapidly deteriorating old woman.First published by Michael Joseph in 1984 under a pseudonym as 'The Diary of a Good Neighbour' and 'If the Old Could...', 'The Diary of Jane Somers' contrasts the helplessness of the elderly with that of the young as Jane is forced to care for her nineteen-year-old drop-out niece Kate, who is struggling with an emotional breakdown. Jane realises that she understands young people as little as she so recently did the old.
Nobel Prize for Literature winner Doris Lessing tackles the 1960s and their legacy head-on in one of her most involving, personal, political novels.It's the morning of the 1960s and it's suppertime at Freedom Hall, the most welcoming household in north London. Frances Lennox stands at her stove, preparing another feast before ladling it out to the youthful crew assembled around her hospitable table - here are her two sons, smarting at their upbringing but beginning to absorb their mother's lessons. Around them are ranged their schoolfriends and girlfriends and ex-friends and new friends fresh off the street. The feast begins. Wine and talk flow. Everything is being changed and being challenged.But what is being tolerated? And where will it end? Over there in the corner is Frances's ex-husband, Comrade Johnny, who delivers his rousing tirades, then laps up the adolescent adulation before disappearing into the night to evade the clutches of his responsibilities. Upstairs sits Johnny's exiled mother, funding all, but finding she can embrace only one lost little girl - Sylvia, who has to travel to Africa, to newly independent Zimlia, to find out who she is and what she wants. And what of the Africans, what will they tolerate?These are the people dreaming the 1960s into being, and the people who, on the morning after all that dreaming, woke to find they were the ones who had to clear up and make good.
From the winner of the Nobel Prize for Literature, a collection of some of her finest short stories.For more than four decades, Doris Lessing's work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday.From the magnificent 'To Room Nineteen', a study of a dry, controlled middle-class marriage 'grounded in intelligence', to the shocking 'A Woman on the Roof', where a workman becomes obsessed with a pretty sunbather, this superb collection of stories written over four decades, from the 1950s to the 1990s, bears stunning witness to Doris Lessing's perspective on the human condition.
Assembled here for the first time in book form are the very best occasional writings from the winner of the Nobel Prize for Literature.A selection of the very best of Doris Lessing's essays: articles on writers as diverse as Jane Austen, Muriel Spark, Virginia Woolf, D. H. Lawrence and Mikael Bulgakov sit alongside autobiographical looks at the beliefs that have shaped Lessing's thinking. There are adoring and adorable pieces on the beloved cats that she has allowed to share her life, and insightful looks at the Africa in which she grew up, and London and England, the place where she made her home.The range of subjects, cultures and periods within these essays is huge, but the collection is utterly consistent in one key regard: Doris Lessing's clear-eyed vision and clearly expressed prose are present throughout. There is a huge amount of wisdom and entertainment in these pages, shot through with Lessing's infectiously forthright, zestful and impish spirit.
A visionary novel from Doris Lessing, winner of the Nobel Prize for Literature.It is sooner than you might think. And the Earth's climate is much changed - it's colder than ever before in the north, and unbearably dry and hot in the south. Mara, who is seven, and her four-year-old brother Dann find themselves somewhere very strange, not home ...They are taken in by a kindly, grandmotherly woman, but this new life is hard: hunger, dirt, thirst and danger are the children's constant companions. Drought and fire carry off their adoptive home and force them to set off northward into the unknown, to experience a series of adventures that bring them to an altogether altered world, where they can start to learn and build anew.Doris Lessing has written a compelling, troubling and entertaining novel that, through the remarkable odyssey of a brother and sister living in the imagined future, manages to tell us a great deal about the present we perceive only dimly and scarcely know how to value.
A fierce, compelling account of the nature and origins of love from Doris Lessing, one of the most acclaimed writers of the twentieth century and winner of the Nobel Pize for Literature 2007.Sarah Durham, sixty-year-old producer and founder of a leading fringe theatre company, commissions a play based on the journals of Julie Vairon, a beautiful, wayward nineteenth-century mulatto woman. It captivates all who come into contact with it, and dramatically changes the lives of all those who take part in it. For Sarah the changes are profound - she falls in love with two younger men, causing her to relive her own stages of growing up, from immature and infantile with the beautiful and androgynous Bill, to a mature love with Henry.
Across eighteen short stories, Lessing dissects London and its inhabitants with the power for truth and compassion to be expected of the Nobel Prize for Literature 2007.'During that first year in England, I had a vision of London I cannot recall now ... it was a nightmare city that I lived in for a year. Then, one evening, walking across the park, the light welded buildings, trees and scarlet buses into something familiar and beautiful, and I knew myself to be at home.'Lessing's vision of London - a place of nightmares and wonder - underpins this brilliantly multifaceted collection of stories about the city, seen from a cafe table, a hospital bed, the back seat of a taxi, a hospital casualty department; seen, as always, unflinchingly, and compellingly depicted.
The first volume of Doris Lessing's 'Collected African Stories', and a classic work from the winner of the Nobel Prize for Literature.'It can be said of all white-dominated Africa that it was - and still is - the Old Chief's Country. So all the stories I write of a certain kind I think of as belonging under that heading; tales about white people, sometimes about black people, living in a landscape that not so very long ago was settled by black tribes, living in complex societies that the white people are only just beginning to study, let alone understand.' Doris Lessing, from the PrefaceIn this superb volume of African stories, Lessing paints a magnificent portrait of the country in which she grew up. The cruelties of the white man towards the native, 'the amorphous black mass, like tadpoles, faceless, who existed merely to serve', the English settlers, ill at ease, the gamblers and moneymakers searching for diamonds and gold, and the presence, 'latent always in the blood', of Africa itself, its majestic beauty and timeless landscape: Lessing draws them all together into a powerful, memorable vision.
The fifth and final book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'The Four-Gated City' finds Martha Quest in 1950s London and very much part of the social history of the time: the Cold War, the anti-nuclear Aldermaston Marches, Swinging London, the deepening of poverty and social anarchy. Daring to go a step further - as Lessing so often has in her career - the novel ends with the century in the throes of World War Three.In the four previous novels of the 'Children of Violence' series, Lessing explored the end of an epoch. Here she trains her gaze on the present - and the future. The disquieting power of her vision revealed across this series finds its culmination in this brave and visionary work.
The fourth book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.In the aftermath of the Second World War, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in a love affair and breaks free, if only momentarily, from her suffocating unhappiness.
The third book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'"e;The personal life of a comrade would be arranged so that it interferes as little as possible with work,"e; he said. Martha had not imagined that the "e;personal talk"e; with Anton would arise like an item on an agenda; she now felt frivolous because she had been looking forward to something different ...'The 'Children of Violence' series established Doris Lessing as a major radical writer. In this third volume, Martha, now free of her stultifying marriage to Douglas, is able to pursue the independent life she has wanted for so long. Her deepening involvement with South African revolutionary politics draws her into a world of fierce commitments and passionate idealism. A time of great change, Martha's young womanhood brings not only immense happiness when she embarks on an affair with a fellow party member, but also great sorrow - for the pain of abandoning Caroline, her baby daughter, left at home with Douglas, never diminishes ...
The second book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.'A Proper Marriage' sees twenty-something Martha beginning to realise that her marriage has been a terrible mistake. Already the first passionate flush of matrimony has begun to fade; sensuality has become dulled by habit, blissful motherhood now seems no more than a tiresome chore. Caught up in a maelstrom of a world war she can no longer ignore, Martha's political consciousness begins to dawn, and, seizing independence for the first time, she chooses to make her life her own.
The opening book in the Nobel Prize for Literature winner's 'Children of Violence' series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the 'big city', she encounters the real life she was so eager to know and understand. As a picture of colonial life, 'Martha Quest' succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha's Africa is Doris Lessing's Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.
The story of a middle-aged woman's search for freedom, from Doris Lessing, winner of the Nobel Prize for Literature.Her four children have flown, her husband is otherwise occupied, and after twenty years of being a good wife and mother, Kate Brown is free for a summer of adventure. She plunges into an affair with a younger man, travelling abroad with him, and, on her return to England, meets an extraordinary young woman whose charm and freedom of spirit encourages Kate in her own liberation. Kate's new life has brought her a strange unhappiness, but as the summer months unfold, a darker, disquieting journey begins, devastating in its consequences.A novel of self-discovery that bears the hallmarks of Lessing's brilliance, honesty and power to move the reader, 'The Summer Before the Dark' has been hailed by some as Lessing's best book.
A compelling vision of a disorienting and barbaric future from Doris Lessing, winner of the Nobel Prize for Literature.Many years in the future, city life has broken down, communications have failed and food supplies are dwindling. From her window a middle-aged woman - our narrator - watches things fall apart and records what she witnesses: hordes of people migrating to the countryside, gangs of children roaming the streets. One day, a young girl, Emily, is brought to her house by a stranger and left in her care. A strange, precocious adolescent, drawn to the tribal streetlife and its barbaric rituals, she is unafraid of the harsh world outside, while our narrator retreats into her hidden world where reality fades and the past is revisited ...
The second volume of the autobiography of Doris Lessing, winner of the Nobel Prize for Literature.
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