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This collection of essays explores the relationship between mothers and their children. Canfield Fisher draws on her personal experiences as a mother of five to offer insights into the joys and challenges of motherhood. From questions of discipline to the role of fathers, this book is a must-read for anyone interested in the complexities of family life.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This charming collection of stories and anecdotes by the noted American author and educator Dorothy Canfield Fisher celebrates the wisdom and humor of grandmothers. From tales of childhood adventures to practical tips for running a household, Fisher's stories capture the spirit of grandmotherly love and wisdom. With its engaging characters and delightful prose, What Grandmother Did Not Know is a delightful and heartwarming read for readers of all ages.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Blind Man's Buff" is one of the best, oldest, and simplest of games. One player is blindfolded, is turned round two or three times to confuse his ideas as to his position in the room, and is then told to catch whom he can. If he catches some one, yet cannot tell who it is, he must go on again as blind man; but if he can tell who it is, that person is blindfolded instead. Where there is a fireplace, or where the furniture has sharp corners, it is rather a good thing for some one not playing to be on the lookout to protect the blind man. Sometimes there are two blind men, who add to the fun by occasionally catching each other. But this is rather dangerous. There is also a game called "Jinglers" where every one is blind except one player with a bell, whom it is their object to catch. But this is more dangerous still.
What Shall We Do Now: Five Hundred Games and Pastimes is game book that has been made in the hope that the question which forms its title, "What shall we do now?" may come to be put less frequently. It is so easy for children to ask it, so hard for grown-up persons with many other matters to think about to reply to it satisfactorily.
Rough-Hewn, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures American and Canadian literature
Dorothy Canfield Fisher's study of the English translations of Corneille and Racine is a valuable resource for students of theater, translation, and French literature. With insightful analysis and compelling anecdotes, Fisher sheds light on the reception of these two great playwrights in England.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Montessori Mother, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
The house of the Emery family was a singularly good example of the capacity of wood and plaster and brick to acquire personality. It was the physical symbol of its owners' position in life; it was the history of their career, written down for all to see, and as such they felt in it the most justifiable pride. When Mr. and Mrs. Emery, directly after their wedding in a small Central New York village, had gone West to Ohio they had spent their tiny capital in building a small story-and-a-half cottage, ornamented with the jig-saw work and fancy turning popular in, and this had been the nucleus of their present rambling, picturesque, many-roomed home. Every step in the long series of changes which had led from its first state to its last had a profound and gratifying significance for the Emerys, and its final condition, prosperous, modern, sophisticated, with the right kind of woodwork in every room that showed, with the latest, most unobtrusively artistic effects in decoration, represented their culminating well-earned position in the inner circle of the best society of Endbury.
Perhaps the first thing which brought our boys to a halt, and a long, long look around them, was the age of the place. Apparently it has-the statement is hardly exaggerated-always been there. As a matter of historical fact it has been there for more than a thousand years. On hearing that, the American boys always gasped. They were used to the conception of the great age of "historical" spots, by which they meant cities in which great events have occurred-Paris, Rome, Stratford-on-Avon, Granada. But that an inconsiderable settlement of a thousand inhabitants, where nothing in particular ever happened beyond the birth, life, and death of its people, should have kept its identity through a thousand years gave them, so they said, "a queer feeling."
In the spring of 1893 Strindberg had just published "A Fool's Confession," D'Annunzio was employing all the multicolored glory of his style to prove "The Triumph of Death"; Hardy was somberly mixing on his palette the twilight grays and blacks and mourning purples of "Jude the Obscure"; Nordau, gnashing his teeth, was bellowing "Decadent" at his contemporaries who smirked a complacent acceptance of the epithet ... and, all unconscious of the futility and sordidness of the world, Neale Crittenden swaggered along Central Avenue, brandishing his shinny stick.
By orange grove and palm-tree, we walked the southern shore, Each day more still and golden than was the day before. That calm and languid sunshine! How faint it made us grow To look on Hemlock Mountain when the storm hangs low! To see its rocky pastures, its sparse but hardy corn, The mist roll off its forehead before a harvest morn; To hear the pine-trees crashing across its gulfs of snow Upon a roaring midnight when the whirlwinds blow. Tell not of lost Atlantis, or fabled Avalon; The olive, or the vineyard, no winter breathes upon; Away from Hemlock Mountain we could not well forego, For all the summer islands where the gulf tides flow.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Lounging idly in the deserted little waiting-room was the usual shabby, bored, lonely ticket-seller, prodigiously indifferent to the grave beauty of the scene before him and to the throng of ancient memories jostling him where he stood. Without troubling to look at his watch, he informed the two young foreigners that they had a long hour to wait before the cable-railway would send a car down to the Campagna. His lazy nonchalance was faintly colored with the satisfaction, common to his profession, in the discomfiture of travelers.
Like most happy childhoods, Sylvia's early years lay back of her in a long, cheerful procession of featureless days, the outlines of which were blurred into one shimmering glow by the very radiance of their sunshine. Here and there she remembered patches, sensations, pictures, scents: Mother holding baby sister up for her to kiss, and the fragrance of the baby powder-the pine-trees near the house chanting loudly in an autumn wind-her father's alert face, intent on the toy water-wheel he was setting for her in the little creek in their field-the beautiful sheen of the pink silk dress Aunt Victoria had sent her-the look of her mother's steady, grave eyes when she was so sick-the leathery smell of the books in the University Library one day when she followed her father there-the sound of the rain pattering on the low, slanting roof of her bedroom-these were the occasional clearly outlined, bright-colored illuminations wrought on the burnished gold of her sunny little life. But from her seventh birthday her memories began to have perspective, continuity. She remembered an occasional whole scene, a whole afternoon, just as it happened.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ ... emile Augier, Playwright-moralist-poet; A Study Dorothy Canfield Fisher Ohio state university, 1899
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
Hardcover edition of Dorothy Canfield Fisher's The Montessori Manual for Teachers and Parents. A less philosophical and more concrete and definite approach to Montessori's teachings, this volume includes chapters on methods in Montessori Discipline and Obedience. Educators will appreciate having this classic hardcover in their collection.
Hardcover edition of Dorothy Canfield Fisher's Montessori Method for Parents. Scientific pedagogy as applied to child education in "the Children's Houses" including chapters on moral training and discipline. Educators will appreciate having this classic hardcover in their collection.
This book serves as a guide for parents who are interested in the Montessori method of education. The author, herself a mother of five, shares her experiences and insights into implementing this educational philosophy in the home. This approach emphasizes the natural development of children and encourages self-directed learning. The text provides practical advice and recommendations for parents who want to create a supportive learning environment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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