Bøger af Duncan McDuie-Ra

This book is about skateboard video and experimental ways of thinking about cities. It makes a provocative argument to consider skate video as an archive of the city from below. Here 'below' has a dual meaning. First, below refers to an unofficial archive, a subaltern history of urban space. Second, below refers to the angle from which skateboarders and filmers gaze upon, capture, and consume the city-from the ground up. Since taking to the streets in the early 1980s, skateboarding has been captured on film, video tape and digital memory cards, edited into consumable forms and circulated around the world. Videos are objects amenable to ethnographic analysis while also archiving exercises in urban ethnography by their creators. I advocate for taking skate video seriously as a (fragile) archive of the urban backstage, collective memory across time and space, creative urban practice, urban encounters (people-to-people and people-to-object/s), and the globalization of a subculture at once delinquent and magnificent.

For a city in India''s northeast that has been embroiled in the everyday militarization and violence of Asia''s longest-running separatist conflict, Dimapur remains ''off the map''. With no ''glorious'' past or arenas where events of consequence to mainstream India have taken place, Dimapur''s essence is experienced in oral histories of events, visual archives of the everyday life, lived reality of military occupation, and anxieties produced in making urban space out oftribal space.Ceasefire City captures the dynamics of Dimapur. It brings together the fragmented sensibilities granted and contested in particular spaces and illustrates the embodied experiences of the city. The first part explores military presence, capitalist growth, and urban expansion in Dimapur. The second part presents an ethnographic account of lived realities and the meanings that are forged in a frontier city.

I advocate for taking skate video seriously as a (fragile) archive of the urban backstage, collective memory across time and space, creative urban practice, urban encounters (people-to-people and people-to-object/s), and the globalization of a subculture at once delinquent and magnificent.

While India has been a popular subject of scholarly analysis in the past decade, the majority of that attention has been focused on its major cities. This volume instead explores contemporary urban life in a smaller city located in India's Northeast borderland at a time of dramatic change, showing how this city has been profoundly affected by armed conflict, militarism, displacement, interethnic tensions, and the expansion of neoliberal capitalism.

By focusing on climate security as it is constructed in the Pacific and how this concept mobilises resources and shapes the implementation of climate finance, the book provides an up-to-date account of the way regional organizations in the Pacific have contributed to the search for solutions to the problem of climate insecurity.

Race debates have become more frequent at the national level, and the response to racism in the media and by politicians has shifted from denial to acknowledgment to action. Focusing on the experiences of communities from India's Northeast borderland, the author explores the dynamics of race debates in contemporary India.

Receives accolades by the ICAS 8 Committee 2013 Northeast Migrants in Delhi: Race, Refuge and Retail is an ethnographic study of migrants from India's north-east border region living and working in Delhi, the nation's capital. Northeast India borders China, the Himalayas, and Southeast Asia. Despite burgeoning interest in the region, little atten