Bøger af Dunya Mikhail

"A bullet / then a siren / then ruins / then a bird song telling the truth"--Dunya Mikhail In her marvelous new poetry collection Tablets: Secrets of the Clay, Dunya Mikhail transforms the world's first symbols--Sumerian glyphs that were carved onto clay tablets--into the matter of our everyday contemporary life. Each of the ten sections in her book is composed of twenty-four short poems, and each poem combines both text and drawing. In her note to the collection, Mikhail writes, "I practiced at least two layers of translation in these tablets: the first from words in one language, Arabic, to another, English; and the second from words to images. What I received from my ancestors are offerings of the future rather than of the past. Now it's my turn to offer them to you."

Mikhail writes: "Death always looks for us. It comes from beyond the continents. It crosses long distances holding a basket of fire in its hand."The two halves of Mikhail's book merge past and present in a lyrical memoir that moves between memories of her childhood, her father's death, her Iraqi poet-peers and friends, her job as a journalist for the Baghdad Observer, and culminates with the birth of her daughter Larsa.

A brilliant poetic exploration of language and gender, place and time, through the mirror of exile.

In Her Feminine Sign follows on the heels of Dunya Mikhail's devastating account of Daesh kidnappings and killings of Yazidi women in Iraq, The Beekeeper. It is the first book she has written in both Arabic and English, a process she talks about in her preface, saying "The poet is at home in both texts, yet she remains a stranger." With a subtle simplicity and disquieting humor reminiscent of Wislawa Szymborska and an unadorned lyricism wholly her own, Mikhail shifts between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, between a game of chess and a flamingo. At the heart of the book is the symbol of the tied circle, the Arabic suffix taa-marbuta-a circle with two dots above it that determines a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, three kidnapped women, and a hymn to Nisaba, the goddess of writing. A section of "Iraqi haiku" unfolds like Sumerian symbols carved onto clay tablets, transmuted into the stuff of our ordinary, daily life. In another poem, Mikhail defines the Sumerian word for freedom, Ama-ar-gi, as "what seeps out / from the dead into our dreams."

Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won't convert to Islam, and enslaving young girls and women.The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women-who've lost their families and loved ones, who've been sexually abused, psychologically tortured, and forced to manufacture chemical weapons-and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety.In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh's genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where "every moment / something ordinary / will happen under the sun." Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author's vivid illustrations - inspired by Sumerian tablets - are threaded throughout this powerful book.

Following the convening of Hong Kong International Poetry Nights 2013, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem "The Theory of Absence" by Dunya Mikhail (Iraq) is finest contemporary poetry in trilingual or bilingual presentation.

This bundle of four Poetry Pamphlets (9-12 in the series) includes:Lawrence Ferlinghetti's Blasts Cries LaughterOsama Alomar's Fullblood ArabianOliverio Girondo's Poems to Read on a StreetcarFifteen Iraqi Poets (edited by Dunya Mikhail)