Bøger af E. F. Benson

"Daisy's Aunt" is a charming novel written with the aid of E. F. Benson, recognized for his wit and humor in literature. Set against the backdrop of early 20th-century England, the tale revolves across the individual Daisy and her dating together with her aunt. Benson's narrative unfolds with a lovely combo of comedy and insightful observations at the social dynamics of the time. The novel introduces readers to Daisy, a man or woman likely navigating the conventions and expectancies of the society in which she lives. Through the lens of Daisy's reports with her aunt, Benson explores topics of familial relationships, societal norms, and the humor determined in normal life. Benson's signature style, characterised via smart talk and eager observations, adds a layer of class to the storytelling. As readers delve into "Daisy's Aunt," they are able to count on a story that captures the nuances of interpersonal relationships and the societal expectancies of the early 20th century. Benson's skillful portrayal of characters and conditions, infused together with his trademark humor, presents not best entertainment however also a window into the cultural milieu of the technology. "Daisy's Aunt" is a testomony to E. F. Benson's literary prowess, supplying a delightful and engaging exploration of human relationships and societal conventions.

INTRODUCTIONThere is a very large class of persons alive to-day who believe that not only is communication with the dead possible, but that they themselves have had actual experience of it. Many of these are eminent in scientific research, and on any other subject the world in general would accept their evidence.There is possibly a larger class of persons who hold that all such communications, if genuine, come not from the dead but from the devil. This is the taught opinion of the Roman Catholic Church.A third class, far more numerous than both of these, is sure that any one who holds either of these beliefs is a dupe of conjurers, or the victim of his own disordered brain. This type of robust intellect has, during the last ten decades, affirmed that hypnotism, aviation in machines heavier than air, telepathy, wireless telegraphy, and other non-proved phenomena, are superstitious and unscientific balderdash. In an earlier century it was equally certain that the earth did not go round the sun. It is, happily, never disconcerted by the frequency with which the superstitions and impossibilities of one generation become the science of the next.The first part of this book may be accepted by the first of these three classes, the second by the second, and none of it by the third. Its aim is to state rather than solve the subject with which it deals, and to suggest that the dead and the devil alike may be able to communicate with the living.About the auther: E.F. Benson, in full Edward Frederic Benson, (born July 24, 1867, Wellington College, Berkshire, Eng.-died Feb. 29, 1940, London), writer of fiction, reminiscences, and biographies, of which the best remembered are his arch, satirical novels and his urbane autobiographical studies of Edwardian and Georgian society.The son of E.W. Benson, an archbishop of Canterbury (1883-96), the young Benson was educated at Marlborough School and at King's College, Cambridge. After graduation he worked from 1892 to 1895 in Athens for the British School of Archaeology and later in Egypt for the Society for the Promotion of Hellenic Studies. In 1893 he published Dodo, a novel that attracted wide attention. It was followed by a number of other successful novels-such as Mrs. Ames (1912), Queen Lucia (1920), Miss Mapp (1922), and Lucia in London (1927)-and books on a wide range of subjects, totaling nearly 100. Among them were biographies of Queen Victoria, William Gladstone, and William II of Germany. In 1938 he was made an honorary fellow of Magdalene College, Cambridge. Benson's reminiscences include As We Were (1930), As We Are (1932), and Final Edition (1940). (britannica.com)

The book starts with a reference to Damon and Pythias, which in the Victorian age -- and apparently also into the first few decades of the 20th century, given this book's publication date -- was code for same-sex love. Here the love that dare not speak its name (but almost does, as is characteristic of Benson's work) is between Robin and his best buddy from (Eton and then) Cambridge. But the bond between the two young men is completely incidental to the main plot: in fact, as the story progresses, it turns out it is primarily about Robin's mother, the rather wonderful Lady Grote and how, when WW1 upsets her pleasure-seeking existence and demands something more of her, she manages to step up to the occasion. The book has excellent characterisation, and is beautifully written, with witty dialogue, lyrical descriptions of the natural world, and an ending a tad too edifying for modern sensibilities. (Aleardo Zanghellini)

E. F. Benson's subject is always the petty concerns of petty people, but his talent is to make those concerns nearly as important to us as they are to his characters. For us, what happens to Benson's people is also much funnier than it is to them.As with the Mapp and Lucia books Benson began to write in the 1920s, Mrs. Ames (1912) deals with the struggle of two women to be the dominant social maven in their little town. Millie Evans and Amy Ames are cousins and rivals for the title of supreme hostess of Riseborough, and an additional frisson is added to the plot by the dalliance of Millie and Major Ames, Amy's husband. Mrs. Ames dares to invite only one member of each prominent Riseborough couple to a dinner party. Mrs. Evans counters with a fancy dress ball with a Shakespearean theme, and Benson makes hilarious use of the ball's glut of Cleopatras and paucity of Antonys. Then Mrs. Ames begins to read suffragette tracts, and as Benson writes, "the fumes of an idea, to one who had practically never tasted one, intoxicated her as new wine mounts to the head of a teetotaler." (Michael Cohen)

E.F. Benson, in full Edward Frederic Benson, (born July 24, 1867, Wellington College, Berkshire, Eng.-died Feb. 29, 1940, London), writer of fiction, reminiscences, and biographies, of which the best remembered are his arch, satirical novels and his urbane autobiographical studies of Edwardian and Georgian society.The son of E.W. Benson, an archbishop of Canterbury (1883-96), the young Benson was educated at Marlborough School and at King's College, Cambridge. After graduation he worked from 1892 to 1895 in Athens for the British School of Archaeology and later in Egypt for the Society for the Promotion of Hellenic Studies. In 1893 he published Dodo, a novel that attracted wide attention. It was followed by a number of other successful novels-such as Mrs. Ames (1912), Queen Lucia (1920), Miss Mapp (1922), and Lucia in London (1927)-and books on a wide range of subjects, totaling nearly 100. Among them were biographies of Queen Victoria, William Gladstone, and William II of Germany. In 1938 he was made an honorary fellow of Magdalene College, Cambridge. Benson's reminiscences include As We Were (1930), As We Are (1932), and Final Edition (1940). (britannica.com)

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Sheaves, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

Robin Linnet, a classical and rare book that has been considered essential throughout human history, so that this work is never forgotten, we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".

Edward Frederic Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer. Benson's first book published was Sketches From Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a scathing description of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires".