Bøger af E G Sergoyan

This is a Caucasus tale 200 years old. It is derived from oral history given by grandfathers to children to remember a world long gone. Unlike most European tales, it does not have a 'happily ever after' ending; it is not like the tales mothers tell their sleepy eyed darlings as they drift off to happy dreams. Tales told in the Caucasus by Armenians, Circassians, Georgians, Kurds and Turks are not like the Pablum tales of Westerners with singing birds, talking animals that are furry and cuddly or kind beautiful sprites that cobble shoes and grant wishes while you sleep. Tales told in the Caucasus usually involve conflict; they are full of grim gnarly reminders of a hard life in an unforgiving land. Here is a story that tells of a time when there was no diversity, no globalism or political compromises. It was simply different homogeneous cultures often isolated from each other, existing side by side. The tale has been passed on generation to generation now, so that only fragments remain with little proof and many unanswered questions. For this and many other reasons, this must remain a Caucasus tale, more fiction than fact. And it all happened just this way.

What is The Tchaikovsky about? When I describe it to friends and readers, I find myself reciting two distinct summaries. The first is as follows: The Tchaikovsky is about a little girl who is a virtuoso on the violin and wants to play the most difficult composition every written before a critical audience with a world class orchestra. When I tell people that, they advise me to make the story more interesting and up to date. Perhaps the girl is a zombie, a blood-sucking serial killer, or a space alien in disguise. They want to know what's with this girl and whether there is action, sex and violence in the story. When I tell people that she is only obsessed to play the composition, people quickly lose interest and move on to another topic. The second summary goes something like this: The Tchaikovsky is about a criminal attorney who reluctantly defends a psychic accused of kidnapping a young girl. The paranormal psychologist claims he is helping the little girl who is haunted by a ghost. The ghost is an obsessive-compulsive, frustrated musician and will not release the little girl until she plays the most difficult violin concerto ever written. So the psychic psychologist decides to perform an exorcism at a music hall in New York to free the girl. Naturally the girl's parents think he is certifiable. This version holds people's interest a bit longer and results in a flood of tangential questions. Most of the questions center on whether or not the psychologist is really a psychic or just a con artist; is the child really possessed; why is the ghost obsessed with the music? What people tend to ignore is the nature of the music. Everyone claims to know the Tchaikovsky, everyone has heard it; some can even whistle one or two themes from it. But how many really understand what is necessary to play that particular piece of music? When you ask a violinist what it takes to play the only violin piece Tchaikovsky ever wrote - the Violin Concerto in D - the musician's eyes roll and a lot of hyperbole is used in explaining what is needed to tackle the musical gymnastics of this composition. And when you ask a world class virtuoso about the Tchaikovsky, you are rewarded with technical details and insight into how very hard and disciplined is the life of any soloist who hungers to add this particular piece of music to a repertoire. This story is about obsession. It is an obsession with perfection so strong it infects even those who are done with this world but can't leave until they influence the next generation of musicians. Ultimately, the Tchaikovsky is an obsession for perfection that reaches across all boundaries. E. G. Sergoyan August 25, 2016

A hundred years ago, the small country of Armenia within the Ottoman Empire became the site of continuous border conflict, political intrigue and sporadic wars between the Turks, the Persians and the Tsarist Russians. Early in the twentieth century, these regional conflicts erupted into bitter political and ethnic "cleansing" that decimated the country and nearly destroyed the population living there. The causes and magnitude of the ethnic killing that took place during and after World War I are still debated and disputed in Turkey and Armenia today. In times of calamity or economic distress, there is a small percentage of people (about two percent) who are willing to leave family, home, and their country of origin to set up businesses in exotic or foreign lands. The two-percenters and undocumented immigrants whose stories appear in The Gathering Place made the arduous trek across Asia to gather in the exotic city of Old Shanghai, where they joined a social club in the city''s Old International Settlement. Their travels coincide with war, economic depression, revolution, banditry and military occupation during the most turbulent period in modern history-a period that covers what some call the ''Modern Dark Age''-the first half of the twentieth century. The personal histories in The Gathering Place offer a fresh take on the immigrant experience during a time of momentous change in Asia-from the end of World War I to the exodus of Europeans from China.